★★★ / ★★★★
Cameron Vale (Stephen Lack), a homeless man, was drugged by men in a shopping mall after he gave a woman seizures with his mind. He was taken to Dr. Paul Ruth (Patrick McGoohan), a scientist who worked with a company called ConSec, to teach Cameron how to control his strange but powerful abilities. There, he learned that he was a scanner, someone who had the ability to become one with another entity that contained a nervous system, not simply a person who had the ability to read minds. Eventually, Cameron was given the assignment to hunt down a rogue scanner named Darryl Revok (Michael Ironside) and stop his plan of world domination by eliminating human beings sans gifts unique to scanners. Written and directed by David Cronenberg, “Scanners” had a strong concept which used spy movies as an inspiration to tell a fascinating science fiction film. It wasn’t just about one chosen man trying to stop another driven by an insane crusade. It was also about voiceless underground groups easily used as a scapegoat by those in charge, the government’s experimental programs involving espionage and advanced weaponry, and the corporations that benefited from lives that had been unnecessarily sacrificed. The concept was as strong as the actors’ performances. Ironside stood out as the villainous Revok. He reminded me of a less deranged Jack Nicholson in movies like Stanley Kubrick’s “The Shining.” He had just the right dosage of insanity in the eyes and a creepy voice to match his dark ambitions. Meanwhile, Lack played a character that we couldn’t help but root for. Although he didn’t know who he was, he forged on in order to find the truth. He strived to protect those not unlike him, like Kim Obrist (Jennifer O’Neill), scanners who were forced to live underground while trying to find their own versions of a peace of mind. Ironically, his lack of reason to keep moving forward was exactly the reason why we wanted to see him succeed. “Scanners” was without a doubt a B-movie which unfairly came to be known as a movie with exploding heads. Yes, some scenes were grotesque because Cronenberg wasn’t afraid to show purposefully fake-looking blood seeping from a human body and guts being thrown on walls. But there was only about two or three scenes that featured exploding heads. The film was actually philosophical, intelligent, and unpredictable. It had great focus in exploring the relationship between the human body and technology that came to influence Cronenberg’s later projects. Those searching for atypical work will most likely found “Scanners” enjoyable.