★★★ / ★★★★
Beth (Gwyneth Paltrow), while on a business trip to Macau, became sick. She returned home thinking that what she had was a common case of cold. Within two days, she died. So did her son. This left Mitch (Matt Damon), Beth’s husband, shaken with disbelief–that a few coughs and sniffles could destroy his family. But what Beth had wasn’t typical. Within a couple of days, health organizations from all over the world realized that what caused Beth’s death was a virulent virus that had the capability to invade its host’s respiratory and central nervous systems. And it was spreading at an exponential rate. “Contagion,” written by Scott Z. Burns and directed by Steven Soderbergh, was at its best when it was coldly calculating. Such a tone was prevalent in the first half and it was appropriate because viruses don’t discern between good and bad people. It was simple: we observed a human being develop the symptoms of the fatal disease and he or she died within a couple of minutes after we met them. Then it was onto the next victim. It was scary, mysterious, and real. The director juggled different characters, scientists and civilians, with relative ease. There was Dr. Cheever (Laurence Fishburne) who worked for the CDC whose confidence relied on a plan of attack that worked in the past. But this was a different breed of disease and it was mutating at such a rapid pace. We observed this man’s confidence crumble which happened to be parallel to society’s laws and regulations slowly being thrown out the window. With people not getting enough answers and becoming more terrified each day, they had to lie, steal, and kill to survive. And such actions were not limited to civilians. On the opposite side of the spectrum, there was Mr. Krumwiede (Jude Law), a sort-of journalist/blogger who led a popular website, who claimed that the government didn’t want people to know the truth. In some ways, he was right despite his fear mongering. For me, while watching the film, the main source of drama wasn’t in the fact that I became more paranoid of germs as it went on. I know that there are “good” germs that protect us from “bad” germs; that our bodies rely on select foreign organisms to function well. What piqued my curiosity was the struggle between figures who wanted to keep things hush-hush, like Dr. Cheever, and those who wanted to reveal information, even without proper scientific research, like Mr. Krumwiede. I was left in the middle and, as it turned out, I found myself caring most about people who ended up confused but tried their best to make it through just one more day, like Mitch and his daughter. Despite the film using a lot of foreign-sounding words like “pleomorphic,” “encephalitis,” and “immunoglobulin domains,” which not everyone had to understand to realize that something bad was happening, the picture had a heart. Notice that the director always reverted to Mitch and his struggle to keep his daughter safe from the virus. Although still interesting, “Contagion” lost a bit of momentum in its second half. But all is forgiven because no one turned into a zombie.