Lake Mungo (2008)
★★★ / ★★★★
While swimming in a local dam with her family, Alice (Talia Zucker) was suddenly nowhere to be seen. After calling the proper authorities, a search began while the Palmer family anxiously waited for the grim news. Soon enough, Alice’s body was found. But that was just the beginning. Two days after Alice was buried, strange things began to occur around the house. The brother, Mathew (Martin Sharpe), heard strange noises coming from the room of the deceased. The father, Russell (David Pledger), claimed that he saw his daughter going about her business as if nothing ever happened. Meanwhile, the mother, June (Rosie Traynor), had nightmares that there was a spirit in the house. Written and directed by Joel Anderson, “Lake Mungo” was a well-made faux-documentary about a family in grief who genuinely believed that there was a ghost in their home. Since the ominous presence was palpable, the family decided to set up cameras around the house to capture, if any, the entity that they felt was there. Naturally, comparison’s between “Lake Mungo” and Oren Peli’s “Paranormal Activity” could not be helped because both had somewhat similar styles. However, I preferred this film in terms of realism because no one, like a possessed person, directly looked into camera and attempted to scare the viewers. It was straight-faced all the way through; there were no cheap punches designed to remind us that since what we were observing was scary, it meant that we were getting our money’s worth. I was completely in the moment. I don’t necessarily believe in ghosts, but every time the camera zoomed in on a paused video footage which contained a (mostly blurry) ghostly figure in the background, my heart rate went up as I held my breath in anticipation. But the film wasn’t just about Palmer family being haunted by an inexplicable paranormal phenomenon. The second half was revealed to be about the secrets that Alice kept from her family and how, sadly, no one really knew who she really was when she passed away. The writer-director’s decision to change gears half-way through was a smart and brave move especially within the confines of the newly revived found footage subgenre. There was a natural flow in the way we learned about literal ghost that appeared in house. Initially, it was mild curiosity; then it was meticulously creepy; finally, it was unexpectedly terrifying. The other kind of ghost, our memories of a loved one when they’re no longer with us, was explored in a meaningful way. Interestingly enough, if the scenes when we were given a chance to see Alice’s ghost were taken out completely, it would still be a strong story of a family trying to cope and move on. That’s what a look for in a good movie: If I can take out one crucial strand and it doesn’t fall apart, I know that it has something special. “Lake Mungo” had many tricks up its sleeve. It challenged us to wade through the truths, lies, and possibilities. Though its budget was limited, it didn’t feel cheap because it understood universal emotions like fear and mourning.