Wait Until Dark (1967)
★★★★ / ★★★★
“Wait Until Dark,” directed by Terence Young, immediately established how venomous Roat (Alan Arkin) could be. He was a calculating man. He liked to be assured that he already won the game before even sitting down. He lured two criminals (Richard Crenna and Jack Weston) in a blind woman’s apartment and framed them as the murderers of a woman (Samantha Jones) who used an unsuspecting doll as a mule to carry heroin from Canada to the United States. But nobody could find the doll. It was of great interest to Roat so he brilliantly set up several intertwining situations and disguises in order to trick Susy (Audrey Hepburn), the blind woman, to reveal the doll’s whereabouts. In truth, Susy had no idea where the doll was or why it was so important. The picture had a wonderful script driven by memorable performances. Hepburn was sublime as a woman who was still learning how to cope with blindness after her accident a year ago. Although she doubted that she could ever be fully independent, her husband (Efrem Zimbalist Jr.) pushed her to learn to look after herself. My eyes was drawn to her as she effortlessly switched from being fun and flirtatious to attempting to hide the fact that she had stumbled upon new information critical to her survival. She had the responsibility of carrying the film as she adapted slightly different temperaments with the many disguised characters who entered her apartment. She had to become more than a vulnerable blind girl surrounded by crooks, slowly learning that maybe her initial doubts of not being able to function on her own was just a sign of a bad attitude. Arkin was also wonderful as Roat. He injected a healthy dose of darkness to his character. He wore sunglasses indoors and walked around as if he was better than everybody. When Roat and Susy were inevitably the last two standing in the apartment, it was incredibly suspenseful because the position of power constantly shifted. Young’s carefully measured direction came into play when the screen would momentarily turn to black because the only source of light was a match. It was a perfect example of not seeing something being equally scary as seeing everything. There were also some scenes of comedy. A little girl named Gloria, Susy and her husband’s upstairs neighbor, was an important key in the puzzle. Despite the real danger that surrounded the building, Gloria thought it was fun and exciting that suspicious men were entering and leaving Susy’s apartment. She was just glad to be a part of it because Susy assigned her small missions like buying groceries and giving Susy signals using the telephone. “Wait Until Dark” delivered every level of suspense. I will never see a refrigerator the same way.