★★ / ★★★★
When their daughter, Avery (Liana Liberato), snuck out to attend a posh teen party, Sarah (Nicole Kidman) and Kyle’s (Nicolas Cage) home was invaded by four thugs (Cam Gigandet, Ben Mendelsohn, Dash Mihok, Jordana Spiro). They knew Kyle’s business involved selling diamonds and they hoped that by forcing the husband to open a money vault, they would be that much richer by the end of the night. But Kyle wouldn’t open the depository even if his wife’s life was threatened. Written by Karl Gajdusek and directed by Joel Schumacher, “Trespass” could have been a lot of fun if it hadn’t taken itself too seriously. Once Sarah and Kyle were on the floor, screaming, begging, and arguing for their lives, they weren’t given very much to do. With such a high caliber actors, one would think that the filmmakers would take advantage of it, take some risks, even unnecessary ones, and really challenge its audiences in terms of what was normally expected in home invasion movies. Instead, the film was too safe. Aside from the shot when Sarah realized that one of the men wearing masks was someone she knew, there was no other scene that moved me, good or bad. The rest were just there as I passively watched the formula: the hostages waiting for an opportunity to run, finding a chance to get away for a couple of minutes because the thugs ended up on each other’s throats, and eventually getting caught because the backyard was so big, it was like running a marathon from Point A to Point B. Back to square one, nothing changed. To its credit, the formula wasn’t boring, per se. It was repetitive but I wanted the family to find an escape so badly to the point where I didn’t mind. I just wasn’t as involved as I felt I should have been. The characterization was obvious especially concerning the head of the family: Kyle was like a diamond. Despite the heat and pressure applied by the criminals, he just wouldn’t break. But there was nothing else to his character. Aside from Cage doing his crazy yelling in an outstanding (and borderline comical) manner, his character wasn’t very interesting. He was smart and sarcastic but he held so many secrets that, by the end, we ended up not really getting to know him. And then there was the criminals’ laughable decision to bring a druggie, Petal, the only woman in their group, as a helping hand. I thought it was unintentionally funny. She pranced around the house wearing other people’s clothes, admiring shoes, jewelry, purses and taking drugs. When she wasn’t doing the aforementioned activities, she went downstairs to whine about what was taking so long and wanting to slap around Sarah out of jealousy. It was like bringing an already ticking bomb to a supposedly controlled situation. For a group who went out of their way to gather so much information about Kyle and his family, stringing a loose cannon along just didn’t feel right. With all the things that happened, “Trespass” probably would have worked as a farce or a satire instead of a straight-faced suspense picture if the writing had been exaggerated and ironic. Since it settled with typicalities, it ended up blending in a haystack of mediocrity.