Green Lantern (2011)
★ / ★★★★
When Hal was young, he witnessed the death of his father due to an aviation accident. Almost twenty years later, we came to discover that Hal (Ryan Reynolds) followed his father’s footsteps and became a successful test pilot. Meanwhile, two entities had been in war for a millennia: a group of warriors known as Green Lantern Corps, powered by will, and Parallax, powered by fear. The latter was quickly gaining the upper hand by literally eating the souls of its enemies. When one of the leaders of the corps, Abin Sur (Temuera Morrison), made an emergency landing on Earth after being attacked by the evil Parallax, he managed to pass his powers onto unsuspecting Hal. “Green Lantern,” directed by Martin Campbell, was sloppily put together. A myriad strands were introduced but not one achieved an above average level of thought nor a minutiae of common sense, so the film ultimately felt flat. Let’s take the romance between Hal and Carol (Blake Lively) as an example. Supposedly, the two of them had known each other for more than half their lives. I found that very hard to believe. While the two obviously cared for each other, perhaps even on a romantic level, I found it frustrating that they didn’t know how to communicate as adults and as close friends. If you’ve been friends with someone for a very long time, that certain connection, which often defies explanation, should be palpable to a third party. But I never felt that special connection when Hal and Carol were on screen. In fact, the whole thing felt forced. There were a lot of puppy dog eyes and polite smiles, like I was watching some teenage soap opera where characters pretend to be dumb yet they have the nerve to complain about the fact that no one is getting what they want. The screenplay, by Greg Berlanti, Michael Green, Marc Guggenheim and Michael Goldenberg, came off as rather desperate in injecting a human element into the story. I actually would have enjoyed the movie more if Hal and Carol were given the time to sit and talk about their feelings for up to three key scenes and defined their relationship once and for all. Then focus on the action, without the hammy and frivolous will-he-or-won’t-she interruptions, because 1) I wanted to see the war between good and evil and 2) watch things blow up in the city. The decision to put petty romances between action sequences made the project disjointed. As a result, the momentum failed to build and I ended up not caring. Another one of Hal and Carol’s childhood friend was Hector (Peter Sarsgaard), a formerly corpulent boy who preferred to stay indoors and read books rather than to play outside. Eventually, Hector became an agent of evil after being infected by an alien life form. But why was his transformation necessary? Since the writers offered no answer to that question, it was pretty much implied that brainiacs were less than so they deserved to be punished. That wouldn’t have been the case if we had a chance to observe Hector being black-hearted as a child in the first place. “Green Lantern” need not have been too serious nor abound with grand special effects to qualify as a decent superhero movie. It just needed to tell its story with clarity.