Life as We Know It (2010)
★★ / ★★★★
Holly (Katherine Heigl) and Eric (Josh Duhamel), complete strangers to one another, were supposed to go out for dinner because their married best friends thought they would get along swimmingly. But they called it quits before they even reached the restaurant. Holly thought Eric was a child trapped in a handsome man’s body, while Eric thought Holly was a pretty but uptight blonde who had no idea how to let her hair down for a change. But when their best friends died in a car accident, they were named as one-year-old Sophie’s guardians. Holly and Eric had to try to put their differences aside to take care of the baby. “Life as We Know It,” written by Ian Deitchman and Kristin Rusk Robinson, were labeled by some critics as emotionally bankrupt because it used death as a source of commercial comedy. I’d have to disagree; plenty of films out there, especially dark comedies, have used the same topic and they received critical acclaim. I say why not as long as the film retained a certain level of respect. The movie didn’t feel malicious toward its subjects. The characters may have felt more like caricatures at times but, in general, it had a bona fide sense of humor. I just wish it had stayed away from too many gross-out humor involving vomit and changing diapers. Two or three of those scenes were more than enough but we were given about seven. The heart of the picture was Holly and Eric’s strained relationship. They tolerated each other but they obviously didn’t like each other. They were so used to having their way because they were single. The only thing they had to focus on was their career. Holly ran a business as a caterer (typically feminine) and Eric worked behind the scenes in a sports network (typically masculine). The story was most interesting when it focused on how they tried to change themselves and each other as they hoped to raise a healthy child. They had to break their typical feminine and masculine roles in order to be well-rounded parents. Their various approaches to parenting were rarely perfect–certain decisions were downright stupid like Eric leaving a baby to a cab driver just so he could go to work–but that was what made them charming. Through trial-and-error, they learned from their mistakes. Another source of conflict was the romance between Sam (Josh Lucas) and Holly. They should have had more scenes together instead of the unfunny scenes with the colorful neighbors (Melissa McCarthy) and the nosy Child Protection Services agent (Sarah Burns). We saw that they cared for each other but their situation was far from optimum. Holly was in a critical state of transition while Sam was ready to settle down. I was glad there wasn’t a typical rivalry between the two men in Holly’s life. “Life as We Know It,” directed by Greg Berlanti, had good elements but it was ultimately weighed down by too many slapstick humor and heavy-handed metaphor such as Holly’s business expansion reflecting Holly, Eric, and Sophie’s life at home. It could have been stronger if the writers eliminated comfortable but unnecessary clichés and taken more risks.