Fast, Cheap & Out of Control
Fast, Cheap & Out of Control (1997)
★★★ / ★★★★
Four men with unconventional careers, Dave Hoover, a wild animal trainer, Raymond A. Mendez, a mole rat specialist, Rodney Brooks, a robot scientist, and George Mendonça, a topiary gardener, were the subjects of Errol Morris’ bizarre but magnetic documentary. It was a particularly challenging film to pull off because how the men defined their lives couldn’t be more different from one another. The director’s task was to find a way to highlight their similarities without being heavy-handed or reaching for something that wasn’t quite there. By constructing a collage of clips from classic serials released in theaters, playing in black and white and color gradients, using various types cameras, it successfully established an argument that even the most mundane could be transformed into something interesting given the right perspective. I was particularly interested in the fact that mole rats were mammals but they lived like termites. Most of us are familiar with the archetype of a mammal so the picture was a nice and humbling reminder of two things: How we take certain rules for granted in order to make some sense of the world and the mysteries of life ultimately help to drive our curious minds forward. Not fully knowing keeps us guessing so we have room to grow. Another layer added on top and around the mole rat scenario were the robots designed to act like insects. Unlike biology, how robots work is something I’m just not interested in despite my dependence on technology. When the robots were introduced, I expected to lose interest. But I didn’t. It surprised me because the film took a specific stance and stuck with it. That is, robots may be non-living but they are inspired by the living. Ironically, we could learn more about the living by observing and learning how the non-living worked. I never thought about it that way. The weaker half was the animal trainer’s fond memories of Clyde Beatty, a lion tamer who eventually went on to star in motion pictures, and gardener’s passion for cutting plants into images of animals. The former discussed the dangers of controlling creatures, like tigers, lions, and bears, that normally shouldn’t be controlled but I failed to grasp the implications it wanted to convey. There were too many old footages from the circus which didn’t help elevate the messages it wanted to bring to us. On the other hand, the latter felt more like a recollection of a man in his twilight years. I’m sure that filmmakers didn’t mean to but every time the fanciful plants appeared, I was reminded of the man’s obsession instead of his passion. There’s a subtle difference and I wish the filmmakers had a more solid grasp in terms of connecting Hoover and Mendonça’s careers to Mendez and Brooks’. Nevertheless, “Fast, Cheap & Out of Control” had many wild ideas worth hearing and jaw-dropping images worth watching. If anything, it made me wish I had a pet mole rat.