Get Him to the Greek (2010)
★ / ★★★★
Aldous Snow (Russell Brand) was a rock star at the peak of his career but the negative reviews of his most recent album called “African Child,” labeled as offensive and racist, forced him to retreat from the spotlight. Enter Aaron (Jonah Hill), an intern for a major record company, when he was assigned by his boss, the tough Sergio Roma (Sean Combs), to take Aldous from England and accompany him to the Los Angeles Greek Theatre for a comeback concert. This proved to be a difficult task because Aldous loved to party, do drugs, and deviate from the original plan. “Get Him to the Greek,” directed by Nicholas Stoller, was hilarious during its first thirty minutes. Celebrity cameos seemed to come from everywhere; I liked it best when I didn’t know what hit me and I was forced to think, “Did that just really happen?” Unfortunately, the rest of the picture failed to measure up. Although there was mayhem left and right, the chaos wasn’t interesting because it had the same type of humor all the way to the finish line. I didn’t mind that it was raunchy. I laughed at some scenes like when Aaron felt forced to become a drug mule at the airport. I understood that it wanted to poke fun of stars like Britney Spears with their intense relationship with the media and their fans. It also wanted to make fun of us for liking bad pop music reflected by Aldous’ ridiculous song lyrics. Eventually, I realized there was something missing. The picture had to draw a line between fun and serious issues. It had the capacity to change things up as Aaron was forced to be in increasingly uncompromising situations. A person recently plucked from an ordinary life, despite the glamour of the world of celebrity, would eventually question whether it was ethically and morally right for him to enable an artist struggling with an addiction. Toward the end, it attempted to tackle the issue but it felt forced because the journey that Aldous and Aaron took together wasn’t particularly meaningful. They shared some drugs and they eventually learned (or thought they learned) to be comfortable with each other to the point where they agreed to a threesome, but there was not one conversation when they connected as equals. It was always about Aaron catering to Aldous’ fragile ego and that wasn’t friendship. It didn’t even work as a story about a fan and the person he looked up to because moments after Aaron met Aldous, he was perfectly aware that the Aldous in his records didn’t reflect reality. He came to terms with it right away. “Get Him to the Greek” would have been a stronger film without the redemption arc involving the rock star supposedly overcoming his addiction. Because when it tried to be sensitive, it just didn’t feel genuine.