Kill List (2011)
★★ / ★★★★
Jay (Neil Maskell) and Shel (MyAnna Buring), ex-soldiers, were experiencing financial difficulty because Jay hadn’t worked in months due to his back. After a dinner party turned into a verbal battlefield between the husband and wife, Gal (Michael Smiley) informed Jay about a contract job that paid a solid sum. Jay, desperate to keep his household together, accepted. Fiona (Emma Fryer), meanwhile, talked to Shel about her son (Harry Simpson) and her prospect about having kids. “Kill List,” written by Ben Wheatley and Amy Jump, was a fine fusion of thriller and horror where many details were purposefully vague. As questions plagued our minds, the three title cards, “The Priest,” “The Librarian,” and “The M.P.,” that took over the screen were the only certainty, signifying the three people that Jay and Gal were assigned to kill in which the reasons were unknown to them. But they didn’t need to; what was important was the money. At times, the picture’s abstruse nature worked for itself. For example, one of the persons they had to kill had a prodigiously negative impact on Jay’s psychology. Instead of being a professional and going for the easy and clean kill, he lost his temper and went on a violent, gory rampage. Even Gal, seemingly no stranger to murder-for-profit, had to look away. Though we didn’t know exactly what Jay saw in the videotape that pushed him over the edge (although we were able to hear sounds), it probably had something to do with what happened back then that traumatized him as a soldier. At its best, the mystery piqued my curiosity. It forced me to look closer on how the characters reacted to dialogue and the things they experienced through sight and sound. However, at times, its secrecy was frustrating. As Jay descended into madness, which conflicted with his motivation to be a good husband and father, not enough of our questions were answered. What did the client (Struan Rodger) have against the three men? What was so special about Jay and his family that they had to go through dark twists in the latter quarter of the film? We deserved to be informed because we put time into watching the story unfold. By not answering some of our key questions, the movie felt shallow. Eventually, I got the impression that it had a great idea of making a hybrid of two genres but the writers didn’t quite know how or they were too lazy to piece information together. Ultimately, the project felt like a gimmick rather an a compelling story worth sitting through and thinking about. Directed by Ben Wheatley, “Kill List” benefited greatly from good performances. I enjoyed the contrast between the ugliness of marriage when things were tough and the macho friendship between Jay and Gal even when things were tough. Since those two aspects felt real, I cared when they were challenged. If only I was able to say the same about the nightmarish spiral down the rabbit hole.