The American President (1995)
★★★ / ★★★★
Andrew Shepherd (Michael Douglas), president of the United States, was up for a possible re-election within a year’s time. His team (Martin Sheen, Michael J. Fox) believed that by passing a bill, vaguely designed to reduce crime, there was a great chance that he could win another term. But when he met Sydney Ellen Wade (Annette Bening), hired to get the president’s attention toward a bill aimed to protect the environment, he was swept by her radiance, intelligence, and fearlessness to speak what was on her mind. Senator Bob Rumson (Richard Dreyfuss), the leading conservative figure who had shown interest in running for presidency, took advantage of the budding romance and started to question the president’s character and accused Sydney of being a radical because of a picture taken thirteen years ago. Written by Aaron Sorkin and directed by Rob Reiner, “The American President” was a romantic comedy for adults. While the material milked the obvious, like the first few scenes designed to paint the president as not only an amiable person in the work place but also an active figure in his daughter’s life, it was highly entertaining because of the smart dialogue and wonderful performances. In romance pictures, I always look the moment when one or both persons realize that they just might be falling for each other. There was a wonderful scene in the Oval Office when Bening scrambled to find the words to express how embarrassed she was for insulting the president. As she attempted to clean up her verbal vomit, Douglas gave her a specific look, which lasted for about half a second, that meant she was the one for him. As for Bening, I’m used to seeing her in intense performances so it was nice to watch her let her hair down and smile from ear to ear. She was completely captivating as a smart and strong woman who was rendered defenseless by the president’s charm. She could have played her character as a typical ditz throughout the film but as the couple got more comfortable with each other, we saw how passionate and serious she was about her work. As the events turned for the worse, reflected by rainy weather, scenes shot at night and bad poll results, the issue of public versus private space came into focus. While Andrew and Sydney were a great match romantically, there was growing tension between them politically. We even start to think that maybe it was good idea for them to not be together for a while. It gives me great annoyance when I read reviews claiming that the movie was terrible because it was nothing but liberal propaganda. They completely missed the point. The romance was supposed to be the foreground and the politics the background. It might have been Capra-esque in scope of how the government really worked, but there was confidence in its execution and we invested in the couple to make it through the end. Sometimes that’s just exactly what we need.