Apollo 13 (1995)
★★★ / ★★★★
Jim Lovell (Tom Hanks), Fred Haise (Bill Paxton), and Ken Mattingly (Gary Sinise) were supposed to make a trip to the moon. But when Mattingly’s blood work came back, it turned out that his blood had signs of the measles. Mattingly was replaced by Jack Swigert (Kevin Bacon) despite Lovell’s insistence to NASA executives that his team, who trained in the simulator together, should not be broken up. But that was the least of their problems. Prior to landing on the moon, due to bad wiring, an explosion affected the crew’s oxygen storage and other critical elements required for their survival. Without much power to spare, would the trio be able to make it back on Earth safely? Based on a true story and directed by Ron Howard, “Apollo 13” was an exciting adventure about success stemming from failure. From the moment Lovell, Haise and Swigert left Earth, I couldn’t look away from the screen. I enjoyed the fact that it may have been a film set in outer space but it was no science fiction. Howard was careful in showing us just enough special and visual effects to suspend us in awe. It was magical and I couldn’t help but wonder how amazing it would be if one day, all of us could easily take a trip to the moon. I do have to say that there were scenes that I wish could have ran longer. For instance, when Lovell’s wife (Kathleen Quinlan) confessed to her husband that she didn’t want to see his launch because it wasn’t his first time going into space anyway, the director cut the scene right before it captured her husband’s reaction. There was a split second when Hanks had tears in his eyes but he held himself back from saying something that could potentially cause anger between them. If the scene had an extra ten to fifteen seconds to assess the situation, it would have made a grand statement about the relationship between the astronaut and his wife. A similar awkward cut was made when the Lovell’s wife had to explain to her young son that his father had been in an accident in space. Howard should have spent more time with the child’s reaction. In doing so, the film would have had the opportunity to communicate with the child within each of us. Instead, much of the reactions were focused on the adults. I wouldn’t have minded as much if most of their reactions weren’t such hyperboles. As the astronauts became increasingly desperate, there was an increasing number of one- or two-second shots of the wives looking miserable. They distracted us from the astronauts’ plight. It didn’t need to try so hard to tell us that the situation was dire when we could see it for ourselves. Nevertheless, “Apollo 13” had a smörgåsbord of thrills and drama. When we catch ourselves holding our breath, that’s an indication the movie is doing something right.