War Horse (2011)
★★★ / ★★★★
Mr. Narracott (Peter Mullan) was supposed to buy a plow horse, but he ended up buying a thoroughbred foal. The idealistic son, Albert (Jeremy Irvine), was ecstatic with this decision because he’d been admiring the young horse named Joey for quite some time, while the wife (Emily Watson) was very frustrated because they didn’t have enough funds to buy a horse, let alone one that didn’t know how to plow. The bond between Albert and Joey grew strong as they spent more time together. As World War I began, however, Joey had to be sold to maintain the family’s farm. Based on Michael Morpurgo’s novel, “War Horse” was beautifully shot punctuated with occasionally moving moments of various characters’ interactions with the horse. From the mephitic yet refreshingly open spaces of the farm to the sordid claustrophobia and horrors in the trenches, the picture, directed by Steven Spielberg, was readily able to adopt a specific tone, whether it be through the use of color or the rate in which the camera moved, to convey emotions that specific characters, usually those who ended up caring for Joey at the time, were going through. While the separation of Albert and Joey drove the drama forward, I was most interested in realizing that each person who took care of Joey resembled a certain part of Albert. Captain Nicholls (Tom Hiddleston), an English soldier, embodied pride, Gunther (David Kross), a German solider, symbolized selflessness, and Emilie (Celine Buckens), a young French girl, represented persistence and pluck. Since the screenplay gave the audience enough time to observe and invest on Albert and Joey’s relationship through playing, training, and riding, although the horse and his owner were later separated by circumstances for the majority of the film, their bond was always present. Interestingly, the middle portion was the movie’s biggest weakness. I wasn’t convinced that the execution was on the same level as the concept. While the exposition gave us plenty of time to absorb emotions and the implications behind them, the climb to the climax felt too rushed. When Joey moved from one potential new owner to another, I couldn’t help but think of several friends playing a game of catch. Whoever did not pay attention as the fast ball approached was out of the game, tantamount to the characters facing some sort of death. I wanted to learn more about Captain Nicholls’ fondness for Joey. He seemed to genuinely respect the animal, what it was capable of, and the value of Albert having to give up his beloved pet. Furthermore, Gunther’s relationship with his brother (Leonard Carow) felt superficial. I got the impression every scene was a mere set-up to something dark and tragic. While the bond between Emilie and her grandfather (Niels Arestrup) slightly elevated the material, their scenes, too, felt hurried. Nevertheless, the climax was very moving. When Joey became hopelessly tangled in barbed wires in No Man’s Land, the land between the English and the Germans’ trenches, the opposing soldiers began to summon the horse and discovered an unexpected humanity despite the insanity that surrounded and threatened to destroy them. It was the scene that defined “War Horse” because it reminded us that although we may come from different backgrounds, speak in different tongues, and believe in different politics, the point was while many negative emotions may temporarily blind us, there is always a possibility of being able to co-exist, an idea strongly tied with Albert’s unyielding idealism.