The Darkest Hour (2011)
★ / ★★★★
Sean (Emile Hirsch) and Ben (Max Minghella), Americans in their mid-twenties, took a trip to Moscow excited that their computer program connecting tourism and social networking would be picked up for millions of dollars. But when a Swedish competitor, Skyler (Joel Kinnaman), presented their idea as his own to the Russians, Sean and Ben decided to go to a club and drink their disappointment away. While in the club, they met fellow young Americans, Anne (Rachael Taylor) and Natalie (Olivia Thirlby), wanting to have a good time. Their four-way flirtation, however, was interrupted by yellow-orange lights capable of turning humans and animals into ashes. “The Darkest Hour,” based on the screenplay by Jon Spaihts, lacked the menacing atmosphere and dark energy in order to be a successful alien invasion film. Since it didn’t aim for campiness either, I wasn’t sure what it was attempting to be. In any case, the action sequences it offered felt uninspired. Consider the club scene when the invisible alien went on a killing spree. A lot of people screamed and ran around like panicked sheep yet there I was wondering why the alien wouldn’t just keep eradicating whatever got in its way. The scene was supposed to convince us that the alien was seemingly indestructible. It was almost a requirement so that the later scenes in which the characters discovered its weaknesses would have an impact. Instead, I got the impression that the alien was slow and as confused as the humans it had to destroy. The forthcoming scene was just as egregious. Sean, Ben, Anne, Natalie, and Skyler spent several days hiding in the club’s storeroom. If it weren’t for the subtitles at the bottom of the screen, I could swear we wouldn’t have any idea that they spent days in there. They didn’t look like they haven’t showered for days, the girls’ make-up remained perfect, and not a smudge of dirt could be found on their clothes. And there I was wondering how they used the toilet. One of the characters said something about urinating in a can. If none of them had to go number two for days, I’d say they had a bigger problem at hand. Forget looking for U.S. Embassy for extraction, go see a doctor as soon as possible. Fortunately, when they did decide to finally explore outside, there were some effective shots. Daytime was creepy because of the empty metropolitan. Nighttime was dangerous because whenever an alien was near, disabled lights would suddenly turn on. I liked the irony involving characters running away from the light. In horror movies or sci-fi pictures with horror elements in them, characters tend to run away from darkness, usually while in a tunnel, as it tried to engulf them. However, good, isolated shots do not make an entertaining movie. If “The Darkest Hour,” directed by Chris Gorak, had more fun with the material, it would have been a more bearable experience. Sean and his friends eventually made it to the mall. He suggested that they needed new clothes considering they hadn’t changed for days. I was so excited for them to go shopping since everything was for free. Instead, they glumly walked to different stores and tried on whatever looked the plainest. If I were in their shoes knowing that there was a big possibility that I might die, I would live to the fullest. If that meant taking my time to go shopping and leaving everyone annoyed, then so be it.