The Mechanic (2011)
★★ / ★★★★
Arthur Bishop (Jason Statham) was a hitman but a well-connected one. He was a part of an international company with clients willing to pay millions to further their goals. Arthur was considered valuable because his adherence to his rules made him an efficient machine. But his next job proved to be more challenging: he was to assassinate his mentor (Donald Sutherland) who happened to be bound on a wheelchair. Although reluctant, he eventually went through with it because he believed that another contract killer couldn’t do a better job. Less pain was a big favor in their profession. Guilt-ridden, he decided to train his mentor’s son, Steve (Ben Foster), to become a hit-man even though the deceased mentor and Steve shared no meaningful relationship. Dean (Tony Goldwyn), the man in charge of Arthur, was displeased with the idea because Steve was everything Arthur was not. He felt like he always had something to prove, his work was messy, and he was a loose cannon. Directed by Simon West, “The Mechanic” was a rush of adrenaline. Only an hour and thirty minutes, each scene was a build-up to a cathartic action sequence, but there was something sorely lacking in order for it to become more than an empty-calorie action movie. It needed an ounce of character development in order to make the characters less cartoonish and more sympathetic. We knew nothing about Arthur except for three things: he relied on his rules for survival, he cherished being by himself, and the only woman he seemed to have interest in, physically, was a hooker. His body needed her and when he was done, he would leave the money on the counter. Maybe he was attracted in the fact that she, too, was a professional–that it was all about the service and the money. If the film had provided more information about our protagonist, I would have been more convinced of his guilt for killing a person he considered to be his only friend. However, the action scenes were strong enough to keep the movie afloat. I thought it was interesting that Arthur was the kind of assassin who chose not to rely on bullets to kill. He used science, like inducing a heart attack or an “accidental” overdose, to disguise a murder. Furthermore, there was an understated comedy in some of the kills due to irony. For instance, a man who claimed to have a direct connection with a higher power turned out to be a drug addict. The only thing that actually possessed his body was unhealthy doses of ketamine. He liked to listen to holy sermons while feeding his demon. “The Mechanic” was enjoyable on the surface but it would have been more involving if the material had allowed Arthur to do something else once in a while other than simply polishing his gun, if you will, until the next job.