The Dark Knight Rises (2012)
★★★ / ★★★★
Eight years since the death of Harvey Dent, a former District Attorney and one of the leaders of the fight against war on crime, organized crime had been completely exorcised from Gotham City. Since Batman took the fall for the demise of the white knight and several police officers, Bruce Wayne (Christian Bale) had been living as a recluse. This temporary peace in Gotham, however, was threatened by the arrival of Bane (Tom Hardy), a thewy mercenary who recently kidnapped an important scientist. But Bane was not a typical mercenary: he was a former member of the League of Shadows, the same group that trained Bruce before he created Batman, and personally exiled by its leader, Ra’s al Ghul. “The Dark Knight Rises,” directed by Christopher Nolan, delivered an absorbing exposition by allowing us to feel sympathy for the true hero that afforded Gotham citizens the kind of city they’ve always wanted. More than ever, Bale was allowed to shine in the way he meticulously but naturally portrayed a character who was no longer needed by his creators. There was drama not simply because Bruce felt lost and depressed, it was due to the fact that we knew that he deserved fulfillment, a life he could call his own, outside of the mask. No other person could understand the man behind the mask more than Alfred (Michael Cane), Bruce’s help, best friend, and father figure. The most emotionally moving sections of the film involved the two clashing in terms of what the city really needed versus how Bruce should go on with his life. Cane was so good with his line deliveries, I teared up a bit when Alfred mentioned his yearly vacation in Florence, Italy and what he hoped to see across from him while sitting in a restaurant. There was a much deserved complexity in Alfred and Bruce’s relationship which was more than I can say about Bane’s plot to so-called give the people exactly what they wanted. While the action scenes held an above average level of excitement, such as when the villain made his first public appearance, there were too many characters running all of the place–characters who were worth knowing more about. There was Commissioner Gordon (Gary Oldman), conflicted in terms of whether he should reveal Dent’s true colors to the public; Officer Blake (Joseph Gordon-Levitt), an ardent young man willing to fight to preserve the good in his city; and Selina Kyle (Anne Hathaway), a cat burglar who wished to wipe her criminal past clean. And then there was Miranda Tate (Marion Cotillard), Bruce’s romantic interest that came so far out of left field, I found it completely unconvincing. There was already little chemistry between Cotillard and Bale and the writing didn’t help them in building something the audience could get behind. Each of the supporting characters was given the spotlight one way or another but the screenplay didn’t have enough time to really drill into what made them more than pawns in the people’s liberation against Bane’s grasp. And so when the denouement arrived, some of the revelations, one of which I found predictable in a fun way, did not feel entirely rewarding. Based on the screenplay by Jonathan Nolan and Christopher Nolan, while “The Dark Knight Rises” was undeniably entertaining, it could be observed that perhaps it attempted to take on too much. It wasn’t a breezy bat-glide to the finish line.