Mirror Mirror (2012)
★★ / ★★★★
Although Snow White (Lily Collins), whose mother passed on while giving birth to her, was trained by her father (Sean Bean) in preparation to rule their kingdom, the King felt compelled to remarry a new Queen (Julia Roberts) because he felt he was unable to teach her everything she needed to know. When the kingdom was bewitched by dark magic, the King headed to the forest to search for answers but never returned. Years passed and the Queen had taken control of the kingdom and driven it to bankruptcy. Realizing that her stepmother was unfit to rule, Snow White decided to usurp the Queen and restore her father’s legacy. “Mirror Mirror,” based on the screenplay by Jason Keller and Marc Klein, had hiccups of genuinely amusing moments but in its desperation to convince us that its protagonist wasn’t bland, the little comedic momentum it managed to gather dissipated just as quickly. Without a doubt, the most interesting characters to watch were the evil Queen and Prince Alcott (Armie Hammer), the former deliciously vain while the latter valiant and adventurous. Whenever Roberts and Hammer shared a scene, there was electricity on screen because the two seemed unabashed when it came to making fun of themselves as well as their characters. While there were infantile jokes, like bird excrement being brushed onto the Queen’s face as part of a beauty regimen and the prince licking everyone’s faces as if he were a dog, I laughed because they were so unexpected and delivered with such glee. Not always a fan of gross-out humor, I was entertained when the material asked its actors to go for the extremes. Unfortunately, Snow White was as boring as staring at a plank of wood. To its credit, however, much effort was taken to make her appear edgy. For instance, she was allowed to hold a dagger, engage in a sword fight against the prince, and utter feminist lines–dizzying at best because it was so eager to hammer us over the head about how modern it all was. Perhaps casting was responsible because Collins was almost too classically beautiful. The contrast between the actor’s look and the intentions for her character, in this case, failed to create synergy. In the end, she was just nice, but nice proved dangerously tedious when placed between vitriolic malevolence and hunky earnestness. Furthermore, the look of the film did not offer anything special. When characters ran in the woods or strutted about the palace, it felt like I was watching actors performing on set. Since I wasn’t immersed into their world, I was more keen on noticing images that did not quite fit. For instance, when the thieving dwarves, played by actual dwarfs, got on stilts to appear as giants, the ones on stilts still looked like stuntmen despite the fact that the camera kept its distance. Also, there were some shots that made me question how a character got from one place to another in a matter of seconds when the distance between the two places was at least a tens of meters. The errors proved very distracting especially during the action scenes when it was supposed to be exciting. If anything, there should have been a flow to the images gracing the screen so that the logic specific to its fantasy world would come off as believable. Directed by Tarsem Singh, although “Mirror Mirror” had its moments, the rewards were not fruitful nor plentiful enough. I couldn’t stop thinking how big a statement it would have made if the Queen and the prince actually ended up together.