21 Jump Street (2012)
★★ / ★★★★
After graduating from a police academy, Schmidt (Jonah Hill) and Jenko (Channing Tatum), current best buds but former high school nerd and jock, respectively, thought their career would be as exciting as a fast-paced action movie. A bucket of cold water to the face, their first assignment turned out to be patrolling a public park, tedious and unchallenging until a possible drug bust that could give them a promotion. When the duo finally apprehended one of the drug-dealing bikers, Jenko had forgotten to read the perp’s Miranda rights. Due to their incompetence and immaturity, as a form of punishment, Schmidt and Jenko were assigned by their captain to infiltrate drug dealers in a high school and find their supplier. “21 Jump Street,” based on the screenplay by Michael Bacall, made me laugh, although not consistently, so there was no denying that the comedy was there. However, when the jokes were not the centerpiece and the film focused on the investigation involving the drug that killed one of the students (Johnny Simmons), there was a dearth of ingenuity in Schmidt and Jenko’s procedures. It seemed as though they only happened to stumble upon pieces of information which may or may not relate to their assignment. I got the sense that the writer, never the characters, was the one putting the pieces together. This was disappointing because we were eventually supposed to believe that Jenko and Schmidt were ready for real police work. I was far from convinced. If I was watching a comedy show, I would be ecstatic to be entertained by them. They were sarcastic in just the right moments but it was obvious that they were good-natured guys. But if I was a person who actually needed help or was a victim of a crime, I would be very worried that the job, delivering justice and the like, wouldn’t be performed expediently. Furthermore, Jenko and Schmidt’s relationship did not have an interesting arc. I liked that the writing was cursory in glancing through their sort-of rivalry when they were in high school. It wasn’t necessary that we got to see how much of an outcast Schmidt was nor did we have to see Jenko being the cool hunk. What I expected, however, was getting a real sense of the ugly details of their past once they returned to high school. I waited for good reasons why Schmidt and Jenko acted the way they did once they were, in a way, transported to their past. Instead, it relied too much on Schmidt wanting so desperately to be cool, pretty much becoming a lapdog of Eric (Dave Franco), the kid they were supposed to watch in suspicion that he was directly related to the source of the drug in question, and Jenko hanging out with the nerdy Chemistry guys. What the film lacked was not only a genuine connection between its protagonists but how that connection was challenged and transformed so that they could become better friends and, perhaps more importantly, reliable partners out in the field when things got really tough. The chase scenes in “21 Jump Street,” directed by Phil Lord and Chris Miller, were enjoyable, at their best when they poked fun of other action flicks. While Hill and Tatum seemed game to banter and get into all sorts of physical humor, without the relatable pieces to support the punchlines, the picture was only mildly and inconsistently entertaining.