The Craving (2008)
★ / ★★★★
Five friends (Grayson Berry, Jesse C. Boyd, Anselm Clinard, Wallis Herst, Lesley Paterson) were on their way to an art event, but they got lost after the driver decided to take a shortcut. Desperate for directions, they headed to a remote house but the owner fired his shotgun and caused the car to turn over. With one of them wounded and the shooter dead, a hungry creature in the desert saw the unsuspecting twenty-somethings as food. “The Craving,” written by Curtis Krick and directed by Sean Dillon, started off in a typical manner but I was fairly entertained. Even I have to admit that there’s something comfortable and exciting when it comes to the tried-and-true formula of people on a road trip needing gas. Naturally, the characters seemed like they hadn’t seen a single slasher film. We relish that we’re smarter than them. For instance, we knew that not all of them were going to make it in the end. My main problem with the film was its inefficient use of its time. There were far too many sex scenes and only one was effective. Since the shooter’s body was in the shack, the protagonists decided to sleep outside. There were three tents and two of which contained a couple having sex. When one of the girls heard a howl, which somewhat resembled a coyote, there was a certain cheekiness about the manner in which the scene unfolded. Something as animalistic as sex evolved into something bloody and grizzly–a good way for the first character to be killed off. But once the remaining four found refuge inside the shack, the picture became less exciting. There was one interesting detail involving the scent that the creature emitted which caused the characters to throw logic out the window and became easier targets. However, the creature’s way of luring its targets were not explored. Like George A. Romero’s “Night of the Living Dead,” although with considerably less tension, the protagonists were stuck in one place. Most of the horror happened at night. Unfortunately, the cameras weren’t powerful enough to deliver sharp images. It was very difficult to see what was happening even if the camera was still. When it moved, images were barely recognizable. I was aware of the budget constraints, but a limited budget does not free the filmmakers from their responsibilities. The director should have communicated with the writer that the images were difficult to see if shot at night. Hence, perhaps the writer should have altered the script to take place in daylight. When the elements align perfectly and form a synergy, it’s a possible to create a solid horror film set in the day. Maybe if we could have seen more of the creature, the film would have been scarier. “The Craving” wasn’t egregious but the filmmakers certainly could have done more to make the movie more bearable. Instead of seeing the technical aspects that didn’t quite work as a challenge and rising above it, it seemed like the filmmakers were out of their depths.