★★ / ★★★★
“[REC]²,” written and directed by Jaume Balagueró and Paco Plaza, began a few minutes after a reporter (Manuela Velasco) was dragged by a zombie-like creature into darkness. This time, a SWAT team (Óscar Zafra, Ariel Casas, Alejandro Casaseca, Pablo Rosso) and a health minister (Pep Molina) made their way inside the quarantined building to get a specific blood sample. They hoped to make an antidote just in case the biological infection touched the general population. But the Ministry of Health wasn’t telling the truth about his identity. He was actually a priest and there was something in the blood that the Church was determined to have. “[REC]²” was enjoyable because the dark atmosphere, which made its predecessor so chilling, remained foreboding. The hand-held camera remained the picture’s conceit but it still worked. When a character turned a corner, I anticipated that a zombie was right there waiting for its next victim. What I liked most about the the film was it didn’t rely on the atmosphere to keep us interested. Instead of giving us the same concept and the only disparity consisting of different characters running around the apartment complex, it tried to answer questions about what the reporter saw at the end of the first film. That is, the specific reason why the other priest experimented on a little girl and possibly other children. However, “[REC]²” became less interesting when we stopped seeing the events through the SWAT team’s perspective. Three idiotic teenagers (Andrea Ros, Pau Poch, Àlex Batllori) decided to sneak inside from the sewers with, of course, a video camera. There was a sudden shift in tone. Since they argued so much, their situation just felt silly. When they were on screen, I felt like I was watching a banal slasher flick instead of a horror movie with a solid concept. “Let’s get out of here!” insisted one of the doomed teens. But she didn’t have the courage to leave her friends. Why? If I was convinced something was a really bad idea, I won’t do it. I have a brain and a will of my own. It had gotten so irritating, I actually wanted them to get bitten and turn into zombies so there would be no more whining. The movie had a couple of wonderful scares. My favorite, although requiring a leap of faith, was when our protagonists discovered that there was a place within a room invisible to the naked eye. The camera became a necessary tool, not just a conceit, to see the place of interest. While one holding the camera was able to see in darkness, the rest of them were blind. The monster could be right next to them and they would have had no idea. Our hearts beat a little faster for them. It had moments of creativity but the multiple perspectives was executed with a lack of focus. Nevertheless, I give the writer-directors credit for turning “[REC]” upside down. Unlike most sequels of the genre, “[REC]²” felt necessary.