A Horrible Way to Die
Horrible Way to Die, A (2010)
★ / ★★★★
Sarah (Amy Seimetz) recently joined Alcoholics Anonymous. On her first day, which happens to be the third month of her sobriety, she meets Kevin (Joe Swanberg). He claims he wants to get to know her outside of AA. She admires his honesty and figures she can use a little bit of that positive quality in her life. The two go on a date and everything goes swimmingly. Meanwhile, Sarah’s ex-boyfriend, Garrick (AJ Bowen), escapes from prison. We learned that when he was still with Sarah, whenever they weren’t together, he killed to feed his addiction for flesh. His motivation to get out of prison, it seems, is to see his ex-girlfriend and claim her as his most priced victim.
Written by Simon Barrett and directed by Adam Wingard, “A Horrible Way to Die” has some good ideas and rather solid twists before the closing chapter, but the muddled cinematography takes away the little power that the picture has going for it.
We spend a lot of personal time observing Sarah and Kevin. We watch them meet, exchange smiles out of politeness which soon changed into something genuine, go on their first date, and the first time they have sex. But the camera shakes so relentlessly and dizzyingly for no good reason whatsoever. It feels like we are watching a first take as the cameramen and director attempt to adjust the lighting and make sure that the microphones are in their proper places. By moving the camera in such a way, the connection between the characters and audiences are disrupted. Instead of engaging us in a flow, it becomes a difficult and frustrating watch. Because of its presentation, the material appears unprofessional.
Sarah has a lot of self-esteem issues which is rooted in her struggle against alcohol addiction and is perpetuated by news that her serial killer ex-boyfriend is on the loose. The camera should have been still so that we are allowed to look her in the eyes and infer some of the questions that might pop into her head. This is her journey and I wasn’t convinced that the filmmakers were aware of that. If they did, the least they could have done is to get the technical issues right so the audience can focus on the story.
The writing needs revision because it fails to incorporate two of Sarah’s monsters: the alcoholism and the ex-boyfriend. Although flashbacks are provided so that we can get a sense of our protagonist’s history, there is no effort from behind the camera to put them together in way that makes sense. Obviously, drugs can be a source of addiction but what are the similarities between a drug and a bad relationship? Instead of exploring this question, the filmmakers hands us random scenes like Sarah thinking about Garrick when she touches herself at night. What does that have to do with anything?
“A Horrible Way to Die” lacks a bridge between drama and horror/thriller so the emotions on screen feel like a sham. The whole charade would have been laughable, not just maddening, if it wasn’t such a frustrating chore to sit through.