Ruby Sparks (2012)
★★★ / ★★★★
When Calvin Weir-Fields (Paul Dano), a high school dropout, was only nineteen years of age, his novel was published and topped The New York Times Best Sellers. Now that he’s twenty-nine, he feels the pressures of writing a highly anticipated follow-up but he’s experiencing a drought of inspiration. When his psychiatrist (Elliott Gould) encourages him to write–about anything, even if it is far from great–Calvin begins to put into words the ecstasy he feels when he’s with Ruby (Zoe Kazan), the girl in his recurring dream. One day, Calvin wakes up and discovers that not only has Ruby stepped out of his fantasy, she has the memory of them being a couple and living together for some time.
“Ruby Sparks” is successful in being an appealing love story with a twist not because of its quirks in the narrative or the idiosyncrasies of its the characters, but for the filmmakers taking the responsibility to embrace its premise and taking it all the way. The question goes beyond whether Calvin and Ruby are going to make it as a couple given that one of them is a real person and the other is, arguably, only sort-of real. There is a philosophical overcoat that the film explores: what responsibility does Calvin have toward his creation while at the same time wanting to be with her on a physical, emotional, and spiritual sense? It’s funny that the picture even acknowledges the awkwardness of this dilemma.
While the fantasy is the alluring element, the way in which select characters react to and digest the bizarre situation is tethered in reality. Chris Messina as Harry, Calvin’s brother, has a tricky role but manages to hold his own as our protagonist’s voice of reason without coming off overconfident and jealous. When Harry offers Calvin a piece of advice by citing examples from his marriage, we can feel the genuine love he has for his brother and yet at times there is a sly twinkle in his eye which might suggest that if he were in Calvin’s situation, he would take full advantage of what was put on his plate. Harry is given a complexity that is uncommon from supporting roles in zany love stories. I wished, however, that Calvin’s mother (Annette Bening) and stepfather (Antonio Banderas) had not been painted as stereotypical hippies.
The film also shows its confidence by sometimes making Calvin downright unlikable. Like real person, he has a specific personality and viewpoint of the world. Watching him, I wasn’t certain that he would be the kind of person I would like to have as a friend. He has a proclivity for neediness and self-pity that I find somewhat repulsive. So when Lila (Deborah Ann Woll), an ex-girlfriend he despises for breaking up with him only days after his father died, criticizes him at a party, what she says has merit. If this had been a one-dimensional screenplay by Zoe Kazan, Lila would have come across as a villain and we would have been completely on Calvin’s side. Though we do not see Calvin and Lila’s relationship develop, we get a sense of their history and the feel the wounds they are still recovering from.
Directed by Jonathan Dayton and Valerie Faris, “Ruby Sparks” shows insight as to what makes its subjects tick. Because of its consistent awareness and ability to surprise without being showy, I am very disappointed with the ending. It is nothing but a convenient and superficial way of reminding us that it is ultimately a love story. Sometimes love is not about having a person next to you but about having the courage to accept the way things are and hoping not to make the same mistake when another opportunity presents itself.