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January 30, 2014

12

Jagten

by Franz Patrick


Jagten (2012)
★★★★ / ★★★★

Still reeling from divorce, Lucas (Mads Mikkelsen), a former teacher, moved back to the small town he grew up in and has found a job as a kindergarten aide. All is relatively well considering his situation: there is a possibility that Lucas’ son (Lasse Fogelstrøm) might eventually come to live with him and there is a fellow aide (Alexandra Rapaport) who wants to get to know him outside of work. However, when one of the students, Klara (Annika Wedderkopp), tells the lead staff that—essentially—she has been sexually molested by Lucas, the close-knit community turns against the man they thought they knew and loved.

If this film had been a lesser screenplay, the story would have revolved around the issue of whether or not the main character had touched the little girl. By providing us enough evidence that Lucas is likely to be innocent, the material has more time to focus on a more important issue: the way a community responds to an accusation and how word-of-mouth twists, bends, and distorts reality. “Jagten,” written by Tobias Lindholm and Thomas Vinterberg, is fascinating because it is about real people responding to a real issue.

I was able to relate to the film on several levels because I have worked with children. Prior to starting the job, the city ensures that one is aware of the dangers of working with minors, how one should respond if a child talks about certain transgressions, and what should be done if a situation does occur. Fact: Minors can initiate inappropriate behavior. Pages of packets are handed out to be read and signed. Does this mean one is ready for the responsibility just because the paperwork has been put away? This is why I was fascinated with one particular supporting character, Grethe (Susse Wold), the lead staff in the facility.

I admired how the material is willing to show people being flawed. It is easy to blame Grethe for handling the situation poorly. After all, isn’t she supposed to be a professional? But dealing with a sensitive situation—attempting to protect the children but at the same time trying not to judge her co-worker without enough evidence or time to think things through—it is tougher than it looks. It is without a doubt that her weak leadership makes everything that much worse for Lucas, but I think the character is very relevant in that a lot of people do succumb to the panic and tough responsibilities when things get rough. It is not only Grethe who makes terrible miscalculations.

To cast Mikkelsen in the role is a smart decision. Collectively, his face, stance, and presence oozes villainy. Though there is no evidence of child molestation, sometimes I wondered, “But what if he really did it?” Here, we empathize with the character. Mikkelsen does not reduce Lucas into a wilting thing when the community tries to get rid of him. He summons an increasing silent rage, mixed with the right amount of disappointment and sadness, which culminates in two scenes: inside a supermarket and a church.

It takes an interesting detour. At some point, Lucas’ son, Marcus, drops by for a visit. He gets to experience and understand what his father deals with on an every day basis: the “sin” of the father is bore by the son. I liked how the father-son relationship is depicted. Although there are not many scenes that show just the two of them together, they make an impact. We get a feeling that they do love one another. When the other is hurt, the other bears some of the pain—sometimes it is even amplified.

Directed by Thomas Vinterberg, “The Hunt” is a very human story but the title may not suggest that—at least at first glance. It implies that the hunt is an animal to be shot, cooked, and shared. It is the perfect title because once the accusation is out there, Lucas is no longer a man in the eyes of the community. To them, he has become an animal—a predator—and animals are treated as less than.

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12 Comments Post a comment
  1. Jan 30 2014

    Great review! I know I should check this one out someday….

    Reply
    • Feb 2 2014

      Abso-freakin’-lutely! It’s impossible not to get a reaction out of it. Let me know what you think once you do.

      Reply
  2. Jan 30 2014

    I also liked how the film focuses more on the reactions of the people before and after the accusation but, even more interesting, after Lucas’ name is cleared.

    Reply
    • Feb 2 2014

      Yep, you’re absolutely correct. It goes to show that when someone (or a group) has been convinced of something, it’s very unlikely he or she will change his or her opinion. I love movies that take a good look at the human condition.

      Reply
  3. Jan 30 2014

    Good review Franz. It’s a very harsh movie, but it’s also a very real one that I could see actually occurring in any part of the world, to anyone, at any time. Sounds all crazy and paranoid, I know, but think about it for a short while and you’ll see what I’m saying.

    Reply
  4. Jan 30 2014

    Absolutely agree on Mads being a great casting choice. The “But what if he really did it?” popped into my mind as well, as unsettling as it was. Lovely review!

    Reply
    • Feb 2 2014

      He’s a master of subtlety. He’s wonderful in “After the Wedding” as well. You’ve likely to have seen that though so I don’t know why I’m mentioning it. Ha. xo

      Reply
  5. Jan 30 2014

    Started it, watched an hour, never went back to it. Love Mads Mikkelsen, and while that first hour was good, it was just such an uncomfortable watch. Should probably finish it though, huh?

    Reply
    • Feb 2 2014

      Hmm, “uncomfortable to watch” as in a bad experience? You should finish it, I think.

      Reply
  6. GaryLee828
    Jan 31 2014

    Good write-up here. Mads Mikkelsen, always a good choice.

    Reply
    • Feb 2 2014

      He looks like a moody uncle. Is that a weird thing to say?

      Reply

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