The Ides of March (2011)
★★★ / ★★★★
Stephen Meyers (Ryan Gosling) is an idealistic thirty-year-old campaign manager, working right below a powerful senior campaign manager, Paul Zara (Philip Seymour Hoffman), who is hired to help Governor Mike Morris (George Clooney) win the state of Ohio and secure a presidential nomination.
Recognizing Stephen’s suave confidence and talent for spinning stories, Tom Duffy (Paul Giamatti), the opposition’s senior campaign manager, gives him a call and suggests they meet in private: Tom wants to offer Stephen a job, one that he should accept because Senator Thompson (Jeffrey Wright) is ready to give them his endorsement which means a certain victory for Senator Pullman (Michael Mantrell) and a loss for Governor Morris.
Based on the play “Farragut North” by Beau Willimon, “The Ides of March” is not so much about the politics but the figureheads, seemingly impersonal and cold, that oil the machine. The center of the ruckus is Stephen and how circumstances force to open his eyes and how he learns to play dirty in order to have a career in a field that he is very passionate about.
Gosling is quite impressive in portraying Stephen, a man of ambition, drive, and a specific set of ideals. The film often reaches a creative zenith when Gosling must spar against acting titans like Giamatti and Hoffman—chameleon-like and fluid in portraying every nuance of emotion and intention. It is a tricky role because Gosling must find a way to come off as somewhat submissive due to his character’s comparable lack of experience in politics yet dangerous enough to pose as a real threat, both as an unstable ally and enemy as well as an eventual blackmailer since he has invested so much in the campaign.
Directed by George Clooney, the tension tightens when the behind-the-scenes drama is intercut with Morris’ speeches about how he intends on steering the country toward progress. While Morris’ supporters eat up his every word, there is a growing sense of unease as things start to go wrong in the campaign—slowly at first then like a landslide in strength and speed.
Although the dueling campaigns are both liberal in stance, the picture is a critique about politics as a whole. While it may seem glamorous and important, especially with all the press conferences and media coverages, the film reminds us that, at the end of the day, being a senator, a governor, a campaign manager, or an intern is still a job. And like certain jobs, the workplace can be a competitive environment where betrayal is like the common cold: it can happen to anybody and reactions to the infection tend to vary. Just because Stephen is smart, charismatic, and hardworking, it does not make him immune to the sickness.
Based on the screenplay by Clooney, Grant Heslov, and Beau Willimon, “The Ides of March,” equipped with excellent monologues, may be interpreted as having a cynical message. Regardless, I found it fascinating—which surprised me because politics is not something that captures my interest as readily as, say, science or the movies. Experiencing the film is like closely observing a tight chess match. Some moves are easily foreseen but it has enough genuine surprises meant to inspire contemplation.