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March 31, 2014

Odd Thomas

by Franz Patrick


Odd Thomas (2013)
★★ / ★★★★

Odd Thomas (Anton Yelchin), a short order cook, sees dead people. Only two people know of his abilities: his girlfriend, Stormy (Addison Timlin), and Chief Porter (Willem Dafoe), who has grown to trust Odd for his knack for finding clues and tracking bad guys. Lately, however, creatures called the Bodach, invisible to those who lack the special sight, have begun to follow residents of Pico Mundo. These shadow-like creatures crave the scent of people who are about to die. Odd becomes convinced that someone is planning to execute a mass killing.

“Odd Thomas,” based on the novel by Dean R. Koontz, is a fast-paced mystery-thriller but despite its very hip and modern embellishments, from the rapid cuts and editing meant to exude cool to the quirkiness of the dialogue between Odd and the girl with whom he thinks he is meant to be with forever, it never moves beyond mild entertainment. The mystery lacks a level of urgency despite the possibility of hundreds of people being killed and so the investigation is not all that interesting. Some of the quirkiness gets in the way of building a forward momentum and thus lacking the building blocks for suspense.

Yelchin and Timlin create a cute screen couple presence but Stephen Sommers, the person in charge of shaping the screenplay and directing, seems to forget that this is not a romance picture. After finding just about every piece of the puzzle, Odd and Stormy must engage in either a light banter or expressing how they care for one another—on the phone or in person. These two are attached to the hip and it does not work. So, it quickly becomes a challenge to enjoy the film as a supernatural detective story.

There is far too much visual effects. A lot of it do not look first-rate—which is not a problem if the concept or story is strong enough to keep us engaged. Here, since the tone is a mixture of action-adventure, mystery, and comedy, adding the visuals on top of an already busy plot makes the picture look cheap or trying too hard to be impressive. Perhaps I would have enjoyed it better if Odd were the only one who was able to see the Bodach. This way, it might have inspired us to imagine how these creatures look. Seeing them leaves nothing to the imagination. I did not find them scary.

Standout performances include Dafoe and Yelchin. If the screenplay had been sharper, it would have placed the father-son dynamic between Porter and Odd front and center. To me, the partnership between the cop and his aide is the heart of the picture because when Porter’s life ends up in grave danger, I found myself not wanting to miss a blink. I wish I can say the same about Stormy. She is sweet and has some nice lines but there is no depth to her.

The problem with “Odd Thomas” is that it feels too much like a TV show that can likely thrive on the CW—maybe the WB when their standards were different. Take a two-hour pilot episode and a two-part season finale of a solid—but not impressive—show in its first year and this is the result. Quite frankly, the movie reminded me of the first season of Joss Whedon’s “Buffy the Vampire Slayer.” Its knees may be wobbly but the potential is just waiting to be let out of the box.

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