Eyes Wide Shut
Eyes Wide Shut (1999)
★★★★ / ★★★★
After the death of a patient, Dr. Bill Harford (Tom Cruise) walks around New York City and enters a jazz club where one of his former classmates, who dropped out of medical school, is supposed to play the piano. Nick Nightingale (Todd Field) tells Bill that he has another gig later that night—one that is particularly strange because he is required to play blindfolded. In addition, the event’s location is held at a different place every time and he is told only an hour prior where it will take place. Piqued with curiosity, Bill insists that he goes with Nick to the party but, clearly, it is not open to guests. One needs to provide the password at the gate and the attendee to be costumed and masked.
“Eyes Wide Shut,” Stanley Kubrick’s final work, is a film that functions on several planes. On one hand, it works as an exploration of marriage and the roles spouses play in order to stay married. On the other, it is a descent into a nightmarish dreamworld which involves a thriving secret society that is willing to do whatever it takes to keep its business hidden. It is a beautiful-looking film from top to bottom, but the aesthetic enhances the experience of us getting to know Bill as a husband and as a man, which at times are mutually exclusive spheres.
What it is not is a simplistic skin flick meant to titillate but offering little substance. The dialogue is rich with passion, guilt, and frustration—particularly memorable is the scene where Bill’s wife, Alice (Nicole Kidman), confesses to her partner of nine years that just a summer ago, she contemplated of having an affair with a young Naval officer. The scene is one that constantly evolves. It begins with a level of sensuality. As the argument heats up, amusing elements are introduced and we are left to wonder whether the space between the lovers will dissolve or grow. It is exciting that it is entirely possible to go either way. Finally, the scene ends with a catharsis and sadness, followed by a phone call that brings terrible news.
Cruise and Kidman’s performances are colorful and engaging. Kidman is particularly entertaining in playing a character who is under the influence, whether it be of one too many alcoholic beverages or marijuana. Though Kidman’s screen time is about a third of her co-star, she hits the nail on the head in every one of them. Notice the way she plays Alice, who is a little bit drunk at a Christmas party, when a man named Sandor Szavost (Sky du Mont) expresses his interest to take her upstairs to, supposedly, show her some art. What could have been a tacky scene turns into an elegant power play. Admittedly, I wanted to see her commit an act of infidelity. I suspected that she also wanted to but her senses are not yet numb to the ring on her finger.
On the other side of the spectrum, Cruise plays Bill almost stoic most of the time but he is never boring. His curiosity tends to lead to one close call after another, whether it be of getting caught by his wife as he considers being physically intimate with another woman or being physically hurt by members of a secret society after they discover his trespasses. As the picture goes on, we are all the more convinced that he is out of his depth. There is suspense when his hundred dollar bills and the title in front of his name are no longer able to save him from what must happen.
Some argue that the set is never a convincing stand-in for New York City. They miss the point completely. I believe the exterior shots are not meant to look real, just as outer appearances of the characters do not accurately provide a real representation of themselves. The interior shots, on the other hand, are entirely different. These are very detailed—from the paintings on walls, books on shelves, bottles and glasses of wine on tables, to textures of carpets and rugs in every room. We get a sense of how they live, what they like, where their interests lie.
Based on the screenplay by Stanley Kubrick and Frederic Raphael, “Eyes Wide Shut” challenges the mind and the senses. Some may even find it to be a physical trial due to its running time of two and a half hours. But one thing cannot be denied: A dark artistry is at work here and once one has adapted to its rhythm, one will not want to look away.