I Origins (2014)
★★★★ / ★★★★
Writer-director Mike Cahill creates a love letter to the spiritual but scientifically-inclined.
Ian (Michael Pitt) is a twenty-six-year-old Ph.D. student who works in a molecular biology lab. His project involves finding a way for colorblind mice to see color. Karen (Brit Marling) is a new rotation student in the lab but she proves to offer great ideas that can potentially move Ian’s project forward. Meanwhile, Ian, outside of the lab, obsesses over a stranger’s pair of eyes—eyes of a woman he met at a party but never had a chance to get to know further. When he starts to encounter the number eleven seemingly everywhere, he is convinced these are signs that will eventually lead him to those eyes.
Although the picture begins with the feel and tone of an independent romantic comedy-drama in that the characters are not paper-thin in substance, situations are realistic and at times challenging, while audiences are slowly coaxed into thinking more optimistically toward rather impossible odds, it is able to change gears seemingly without effort, particularly halfway through when the material crosses from the sphere of science to the realm of the spiritual. As the material unfolds, it is difficult to guess what will happen next because it is constantly evolving. There is excitement because, like the characters, we feel as though we are on the verge of a great discovery.
Pitt plays a scientist-in-training in a way that is believable. Ian is not depicted as a hyperbolic intellectual who is socially inept, ridiculed for being smart and constantly having his nose buried in a book, or one who lives as a hermit. However, we do get the impression that he is curious of the world around him. It is in the way the performer looks at objects with his eyes, how engaged he is with someone who is speaking to him, and the way we can feel him thinking even when his eyes are not looking at something in particular.
Since he is written and played with humanity rather than comically or an exaggeration, there is a fluidity in the character that we wish to explore. Astrid Bergès-Frisbey plays the woman with the curious eyes and she is exotic, attractive, and has a strong sense of self. We are drawn to her and so it makes perfect sense that Ian will be drawn to her, too. Not only is Sofi utilized as a tool by which we can get to know the scientist further, but the character creates the foundation of mysterious things to come.
To reveal more is to cheat the audience of an experience. And so I will leave with this:
You know, a scientist once asked the Dalai Lama, “What would you do if something scientific disproved your religious beliefs?” And he said, after much thought, “I would look at all the papers. I’d take a look at all the research and really try to understand things. And in the end, if it was clear that the scientific evidence disproved my spiritual beliefs, I would change my beliefs.”