Exodus: Gods and Kings
Exodus: Gods and Kings (2014)
★ / ★★★★
“Exodus: Gods and Kings,” directed by Ridley Scott, is nothing but an exercise of special and visual effects. It does not bother to tell an engaging arc; it assumes that all audiences are familiar with the story of Moses (Christian Bale) and Ramses (Joel Edgerton) so it relies on the template to burn off one hundred fifty minutes. Furthermore, it does not provide any surprising detail about the brothers and their relationship. What results is a limp epic consisting of solemn whispers and hyperbolic yelling—a bore down to its marrow.
Telling this kind of story with a forceful fist is an incredible miscalculation. Thus, it feels like an action film rather than one that inspires us to think a little bit about different aspects of spirituality. It should have been told with a certain delicateness in order to highlight the characters’ choices, recurring themes, and the emotions that they go through that drive them to make life or death decisions. Instead, the picture adopts a lethargic pattern: tragedy, close-ups expressing horror, and then more tragedy.
Even the ten plagues that come to haunt Memphis, Egypt do not command much impact. The only one that stood out to me was the death of all firstborn children. Notice how the scene takes its time as it shows darkness creeping across the city. There is fear in the wind as it blows candles from both poor and rich households. The camera slithers as souls are taken away from their host. I wished that the rest of the material functioned on such a high level. I could not look away.
And then we are back to the plot involving Moses attempting to persuade Ramses to free the Hebrews from slavery. Part of the problem is Bale and Edgerton being miscast—for two very different reasons. Bale is not very expressive here. Although his interpretation of Moses is one that is easily provoked, there are not enough moments in the script where we are made to sympathize with his predicament. Edgerton, on the other hand, is given more chances to express a range of emotions than Bale but the makeup plastered on his face prevents us from appreciating his increasingly desperate position. It might have worked better if a quieter, more thoughtful actor were cast as Moses and an actor who could carry a lot of makeup were cast as Ramses.
Scenes between Moses and Malak (Isaac Andrews), serving as a representation of God, are laughable initially and like pulling teeth later on. Their interactions are so forced that every time they are around one another, the scene comes across very rehearsed: the actors know the lines but the subtleties of emotions are simply not there. There should have been fewer of these scenes and the ones that are necessary ought to have been reshot.
Disappointing almost every step of the way, “Exodus: Gods and Kings” is a colossal waste of time, an excuse to use money in order to create a project that is pretty at times but one that has no soul. Every minute is felt trickling by.