Martian, The (2015)
★★★ / ★★★★
After an accident during a severe storm on Mars, Commander Lewis (Jessica Chastain) of the Ares III mission makes an executive decision for her team (Michael Peña, Kate Mara, Sebastian Stan, Aksel Hennie) to leave the planet without botanist Mark Watney (Matt Damon), presumed dead because he had been hit by debris and his body was nowhere to be found. As it turns out, however, Mark is not dead. Having only about thirty days worth of food, he must somehow keep himself alive until the next manned mission to Mars… which is four years away.
Based on the screenplay by Drew Goddard and directed by Ridley Scott, “The Martian” is intelligent, entertaining and highly watchable at times, but it falls short of becoming a great film, one to be remembered for many years to come. It is a solid, crowd-pleasing picture that will likely hold up upon multiple viewings but beyond that is exaggeration.
One of the reasons is its unjustified bloated running time—about a third of it is repetitive fluff. The film is at the peak of its power when it focuses on the protagonist simply trying to think of ways to prevent death within a month. The first third is fascinating, amusing, and quite educational. Eventually, however, the screenplay introduces characters on Earth, various individuals who have a role at NASA and its affiliates (Jeff Daniels, Kristen Wiig, Chiwetel Ejiofor, Sean Bean), who wrestle with the politics, the media, and what should or must be done in order to get the man home. I found the charade quite dull.
By taking away a significant amount of time and focus on the main character, we are not put into his mindset thoroughly and completely. This is why when problems compound on top of one another and Mark feels there is nothing left to do but to let out a small tantrum, I felt more amused of the display than feeling empathy. In another instance that occurs late in the picture, a would-be soul-stirring moment involving the abandoned cosmonaut in a confined space left me wondering when the film would be over rather than being in the moment and continuing to be invested in Mark’s plight.
The special and visual effects are quite eye-catching. Aerial shots of Mars never fail to grab the attention, from the seemingly red-hot sand to the beautiful hills and jagged rocks near the mission’s base. There is a line in the film where Mark expresses the humility he feels in being the first man to ever see or step on a particular area of the planet. These specific thoughts and musings make the story supremely engaging. After all, this is his story, not of those men and women back home who try their hardest at providing rescue.
“The Martian,” based on the novel by Andy Weir, offers enough individual moments to make this specific story worth telling and seeing, but it is limited by its apparent desperation to be liked by the mainstream. Coming from a science background, I enjoyed that the material champions not only book knowledge but also its practical application—the latter, I think, is not emphasized enough. But the many acts of heroism feel too Hollywood, hollow, and forced—simply there to appeal to as many people as possible.