The Jungle Book (2016)
★★★ / ★★★★
These days it is simply not enough to have beautiful images gracing the screen, especially when it comes to family-friendly films where every age must be engaged and entertained. “The Jungle Book,” directed by Jon Favreau, is able to translate a Disney animation classic, about a boy named Mowgli (Neel Sethi) who is raised in the jungle by wolves, into a live-action adventure that is full of thrills and wonderment. Favreau takes a beloved material that has been told a number of times before and breaths new life into it.
Although the majority of the animals are made using a computer, they are convincingly life-like. The details of their furs, ears, snouts, tails, and eyes are impressive; the longer one admires every feature, the more tactile they appear to be. But it doesn’t stop there. Look at how the filmmakers manage to capture the correct posture of the computer-animated animals when they rest, eat, and interact with one another. One gets the impression that great efforts were made to research actual animals in order to create a most convincing universe.
The film offers numerous memorable sequences, from Mowgli being mesmerized by a giant Indian python (voiced by Scarlett Johansson) to heart-pounding chases involving a villainous Bengal tiger (voiced by Idris Elba) whose face is half-burnt. But one might argue that the best parts of the movie are times when nature is front and center. Two standouts include a terrifying mudslide as unsuspecting water buffaloes make their way on the side of a mountain and the other involves Mowgli’s attempt to kick down honeycombs hanging from a cliff as he is stung by bees.
These two scenes are vastly different yet somehow they fit perfectly in the film. For instance, the former is drenched in black and gray while the latter features kaleidoscopic hues. The mudslide scene reflects a struggle for survival, as signaled by rapid camera movements, while the honey gathering scene highlights a growing bond between a man-cub and a new friend (voiced by Bill Murray)—this time the camera still and overall tone playful. The balancing act is assured and professional. What keeps it all together is the consistent eye for detail.
Admittedly, it took me a good while to get used to the animals’ mouths moving when they speak. The mouth movements and voices are not distracting—in fact, all of the voice actors are well-chosen—but the partnership is, at first, unnatural. After about thirty minutes, however, the transition was complete and I was able to get into the reality that some of the animals were able to speak.
“The Jungle Book,” based on the collection of stories by Rudyard Kipling and screenplay by Justin Marks, dazzles and delights the senses. It might have been improved if the subject of belongingness and home were explored more deeply and with more mature insight.