The Nice Guys (2016)
★★ / ★★★★
Action-comedy “The Nice Guys,” co-written by Shane Black and Anthony Bagarozzi, is inspired by classic 1970s detective pictures but one that fails to provide inspiration. What results is a moderately watchable but occasionally predictable film spearheaded by charismatic co-stars Russell Crowe and Ryan Gosling who have good fun in their roles.
At first it appears as though the plot revolves around a dead pornographic actress named Misty Mountains (Murielle Telio), whose vehicle crashed into and through a house during the first scene, but those with extensive experience with detective films, especially the great noir works of the 1940s, are likely to recognize that is merely a misdirect. This is a common problem that plagues the picture: familiar elements are exactly as they are and so there is rarely, if ever, anything surprising. One of the main targets of the material is audiences who enjoy detective stories. It fails to satiate because it offers nothing new.
Crowe and Gosling do share some chemistry, but Healy and March are written as one-note. Although they are never boring because the experienced thespians are able to tap into different notes of an otherwise standard dialogue, it would have been electric if the script were as smart or as colorful as those portraying the detectives. Gosling plays the more volatile of the pair and is able to deliver a few laughs, but Crowe is equally strong as the straight man.
There are three action sequences and they are evenly dispersed throughout the film’s near two-hour running time. I enjoyed and appreciated that each one offers a distinct feel, energy, and pace. They are executed with vision and we feel the joy of those involved. Perhaps these are the best scenes in the movie, hands down the most thrilling. What it is missing, however, is a truly memorable and/or sinister villain. Matt Bomer plays one of the formidable assassins but the character is not written deeply enough to be compelling.
A breakout star of the film is Angourie Rice who plays Gosling’s wise-beyond-her-years daughter. Rice is a name and face to watch out for because she commands the charm, wit, and presence of Reese Witherspoon from Robert Mulligan’s “The Man in the Moon.” Just about every time Rice is on screen, she lights it up. She makes slower scenes come alive. A lesser performer might have turned the character into someone annoying but she grounds Holly in such a way that the audience would want to be her friend.
Directed by Shane Black, “The Nice Guys” offers a decent time but not a good time. If the script had been tweaked a little more in order to provide more surprising details regarding the underbelly of politics, world of pornography, and the sleuthing business, it might have turned into an example to be imitated in the future rather than simply resting on being a goofy imitation.