Out of the Furnace (2013)
★★★ / ★★★★
Rodney (Casey Affleck) owes a lot of money and he believes a quick way to pay his creditors is to participate in mano-a-mano fights. But defeating locals prove not profitable enough. So, Rodney convinces his manager (Willem Dafoe) to schedule a fight in the hills of Jersey where inbred drug dealers like Harlan (Woody Harrelson) having grown so powerful that even cops feel the area is out of their jurisdiction. Harlan expects Rodney to drop the fight. Maybe Rodney is too much of a loose cannon. When Russell (Christian Bale) learns that his younger brother is missing, he drives to Jersey where Rodney is last seen.
Directed by Scott Cooper, “Out of the Furnace” is not for people who expect a straightforward revenge picture where it gets violent real quick and justice is served cold in equal servings. It is a moody, messy, meandering piece of work with a lot offer to those willing to follow the bread crumbs and value asking questions more than getting easy answers. Watching the events unfold is like looking through a dark fog—the focus is not necessarily on what happens but the feelings behind and underneath the occurrences.
Rodney and his debts, Harlan and his drugs, Russell and his clean way of making a living—it is clear that money is the main motivation of the central characters. The brothers live in a working class neighborhood and they are often dirty-looking—often covered in dirt, sweat, or grime, sometimes bruises and blood. Meanwhile, Harlan is a rabid dog who lives in the woods with nameless lackeys. As far as they know, he is always right. To say something otherwise is to gamble one’s life. Outsiders do not know this fact.
The picture does not reach full power until about halfway through. Clocking in at about two hours, the first half involves Russell losing those that he values. Every day is a struggle to keep them close by. One mistake—involving drunk driving and an auto accident—costs him just about everything. It is easy to sympathize with Russell because he is a good guy and he wants to do the right thing. Unlike his brother, he has learned to be humble—even if it means forcing himself to do so—and how to keep his temper in control.
Because the material is so patient before delivering the big blow just above the hour mark, it creates a real sense of dread and convincing, palpable tension. And yet, surprisingly, even though it tackles the subject of vengeance, it does not lose track of the sadness with regards to what can never be reclaimed.
What does not work is a subplot involving a chief of police (Forest Whitaker) and Russell’s ex-girlfriend (Zoe Saldana). Though the material avoids certain trappings, we never see the cop doing anything of value other than delivering lines about how important it is to follow procedures and allowing the men of the law to do their jobs. In addition, the ex-girlfriend is underdeveloped. She is reduced to doing two things: laugh or look sad. Whitaker and Saldana are good performers, but they could have been played by another pair and it wouldn’t have made a big difference.
“Out of the Furnace,” written by Brad Ingelsby and Scott Cooper, will divide viewers. I admire movies like this. It has a goal and it carries out its vision without compromise. It may not be perfect but others ought to follow its lead when striving to commit to a specific voice. Forget trying to impress the audience. Just tell the story the way it is intended, assuming a solid screenplay, and rest are likely to fall into place.