Spider-Man: Homecoming (2017)
★★★ / ★★★★
The decision not to tell yet another origins story benefits Jon Watts’ “Spider-Man: Homecoming” immensely because it takes away significant portions of what we expect from a typical arc involving Peter Parker being bitten by a radioactive spider and having to discover his powers. Instead, the plot revolves around a tyro superhero so willing to be a part of The Avengers that he forgets he is still a kid just making his way through high school. Thus, an intriguing portrait of Spider-Man is created, one that is grounded in reality yet without sacrificing the required highly energetic and entertaining action pieces.
Two performers are cast perfectly in their respective roles. The first is Michael Keaton, playing a man named Adrian Toomes, owner of a salvage company who chooses to create weapons out of alien technology. Because Toomes is in fact the antagonist to our friendly neighborhood superhero, it is easy and convenient to label him as a villain. I believe he is more than that. I think Toomes represents the Average Joe, a businessman who is willing to do what it takes to provide for his family. So, to me, he is not a villain. And that is what makes the character fascinating. Keaton plays Toomes smart and with such humanity that when one looks into those eyes, one realizes he can be anybody’s uncle simply leading a business operation.
The second is Tom Holland, portraying a fifteen-year-old boy from Queens, New York who just so happens to be Spider-Man. I enjoyed and admired Holland’s decision to play the character as Peter Parker first and Spider-Man second—even though the plot revolves around an obsession to prove to Tony Stark (Robert Downey Jr.) that he should be a part of the Avengers. Casting a performer who excels most in dramatic roles is the correct decision because pulling off both comedy and drama, sometimes simultaneously, can be very tricky. Notice how he sells the more serious scenes during the latter half, particularly one that unfolds in a tension-filled car on the way to the Homecoming dance. Holland fits the role like a glove. It will be difficult to imagine someone else in this role for years to come.
It offers memorable action scenes, whether it be atop great metropolitan heights in broad daylight or a night chase around the suburban New York neighborhood. These sequences not only command energy but also range. In action pictures, it is so important for each confrontation to look and feel different from one another. It prevents us from feeling bored. Superior actions films tend to have a commonality: the audience feeling the need to catch up to it rather than it struggling to catch up to our expectations. Clearly, this film falls in the former group with occasional surprises to spare.
Its weakness comes in the form of writing when it comes to Peter’s peers, with the exception of Ned (Jacob Batalon), Peter’s best friend and partner in crime. The romantic angle between Peter and Liz (Laura Harrier) is not as effective as it should have been since there is rarely opportunity for us to get to know Peter’s crush. In fact, I found Liz to be quite nondescript. Although it is obvious that Michelle (Zendaya) really likes Peter, even though she is pretty much invisible to him, aside from a few sarcastic one-liners, the screenplay fails to create at least a marginally well-rounded character, especially when it hints that Michelle will have a bigger role in the sequel.
Regardless, there is plenty to be enjoyed in “Spider-Man: Homecoming.” It is paced well, the central characters are worth exploring, the action sequences are impressive with the ability to surprise, and it knows how to have fun with (and make fun of) our protagonist with or without the Spidey suit. Imagine if it had taken more time and effort to iron out details regarding how different teenagers can be complex, difficult, and fascinating. I’d wager this installment could have been among the best in the series.