Boo 2! A Madea Halloween (2017)
★ / ★★★★
One way to elevate a goofy slapstick comedy is to inject it with so much enthusiasm to the point of overdose. While “Boo 2! A Madea Halloween,” written and directed by Tyler Perry, is not short on zeal, the sequel is limp and uninspired exactly because it suffers from a shortage of ideas. Clearly, another way to surpass a predecessor is to take the first idea, now familiar to us, and either turn it into something else entirely or elaborate upon it so the viewers are provided insight or new perspective. Here is a film that rests on its laurels.
This time around, bratty Tiffany (Diamond White) has turned eighteen and so she believes she is now an adult and therefore capable of doing whatever she wants. So, her first order of business is to repair relationships with sleazy frat brothers (Andre Hall, Tito Ortiz, Brock O’Hurn) whom Madea (Perry) had taught a lesson exactly a year ago which involves making sure that they do not mess around with underaged girls. Tiffany’s ulterior motive is to get invited to the frat party in Lake Derrick, a place where fourteen murders have occurred and no suspect was apprehended. Hanging out in a mass murder zone is something cool to do these days. Madea, of course, learns about the party.
The plot is as useless as a fork in a bowl of soup, but plot is an afterthought in a movie like this. It must be evaluated on the basis of how successful it is when it comes to delivering upon the level of comedy with a few horror elements. It is, after all, Halloween-themed. Taking this into account, there is not much to recommend here other than the occasionally amusing banter among Madea, Joe (also played by Perry), Aunt Bam (Cassi Davis), and Hattie (Patrice Lovely). They may be elderly but they are capable of pulling off dumb, dirty, sassy jokes. The performers are game to do whatever is necessary to wring laughter out of the audience.
I found the horror elements to be a bore for the most part. It alludes to villains like Leatherface (“The Texas Chainsaw Massacre” series), Samara (“The Ring” series), and The Miner (“My Bloody Valentine”), but the screenplay fails to offer anything fresh about these antagonists. The formula is simple: they appear out of the corner of the screen, render teenagers screaming for their lives, and disappear into the night. The so-called scares between threat and lascivious teens are the least entertaining parts of the picture because we can predict what is going to happen exactly from the moment the scene begins. Much more tolerable to sit through are interactions between Madea’s group and these modern classic villains.
Tyler Perry movies tend to reveal lessons about the importance of family and tough love—not subtle lessons but the kind that pounds the viewers into submission just so everybody gets the point. It is disappointing then that the journey to get to the lesson is not executed even in a mildly clever way, certainly not like in the predecessor where it somewhat sneaks up on the viewer because there are so many parts of the story moving at once. This film takes a more straightforward, predictable, boring approach. It is a cash grab to the bone.