Thor: Ragnarok (2017)
★★★ / ★★★★
There is a gag in this third installment of “Thor” involving the title character being thoroughly convinced that he is the “strongest Avenger.” Up until this film, however, I held the opinion that hammer-wielding God of Thunder Thor (Chris Hemsworth) was the “most boring Avenger,” all superpower and good looks but severely lacking in the personality department. It is to my great surprise then that “Thor: Ragnarok” is able to change my mind. It is the funniest and most entertaining entry of the series thus far—not a surprise because it is directed by Taika Waititi, one of the two masterminds of “What We Do in the Shadows,” the most enjoyable mockumentary horror-comedy of the decade.
For a series that has taken itself too seriously in the past, its new approach is a much-needed breath of fresh air. The first half offers a joyous experience. Arguably, its attitude is punk-rock in that it is willing to throw everything against the wall just to see what would stick. But the strategy is not lazy because just about every scene, at times coming across as comic strips due to their ability to reach the punchline in a matter of mere seconds, is executed with infectious energy and glee. Sure, the special and visual effects are seldom cheesy but the Marvel spirit is consistently present, alive, and willing to experiment. I enjoyed that I did not know where the story is heading—nor did I care so long as it is able to maintain such a high level of entertainment.
One can feel that the performers are having fun. Cate Blanchett, playing Hela the Goddess of Death who wishes to rule Asgard, chews the scenery as if she were in some high fashion photoshoot. Whenever the camera is focused on her, she is posing and selling every bit of clothing and accessory on her body. It amusing to watch because the performance is an exaggeration—which, oddly enough, matches the over-the-top universe that these characters inhabit. Jeff Goldblum, who plays the flamboyant ruler of planet Sakaar, is the runner-up when it comes to scene-stealing performances. His extemporaneous dialogue added more color to an already pavonine display of alien personalities.
Perhaps the picture’s weakness is, as expected, the action sequences involving groups of people either fighting one another or one group attempting to flee the fray. Although well-choreographed and there is a technical believability among the chaos, self-seriousness kicks in during these scenes. One tends to notice the dramatic score more often. Strong personalities are muffled for the sake of delivering kinetic energy. The fighting and the repercussions of violence are supposed to tug at the heartstrings. But it is strange because we never get the impression that war is hell since there is minimal depiction of blood, severedl limbs, and gruesome deaths.
Regardless, “Thor: Ragnarok” provides the excitement, bona fide sense of humor, and high energy that viewers expect from a Marvel film. Here’s to hoping that future installments that have Thor in it would not forget that Hemsworth can do physical comedy and understands the importance of timing instead of simply putting him up as golden-haired decoration.