Prince Avalanche (2013)
★★ / ★★★★
Alvin (Paul Rudd) and Lance (Emile Hirsch) must paint traffic lines on a long stretch of highway that was once consumed by wildfire. While the former thinks that the job is an excellent opportunity for him to be one with nature and further get to know himself through solitude, the latter finds himself unable to deal with loneliness. With the weekend coming up, Alvin decides that he is going to stay in the woods while Lance plans to go home, attend a party, find a girl, and have his “little man squeezed.”
“Prince Avalance,” a remake of Hafsteinn Gunnar Sigurðsson’s “Á annan veg,” is consistently beautifully photographed, especially for a comedy about two men who are sort of losers in their own way, but I found the languid tone of the picture to be inert and soporific at times. Just when we are about to slip into a coma, it turns up the soundtrack to jolt us into paying attention until once again our eyelids start to get heavy.
The picture is not without core strengths. The script has such a good ear for dialogue, a three- to five-minute scene that mostly consists of the camera staring at a face inspires us to paint an entire story in our minds. Particularly memorable is the conversation between Alvin and an older woman (Joyce Payne) who is going through the rubble of her former home. I wondered if the performer on screen had experienced losing her house in fire because it does not feel like she is acting at all. Instead, she seems to be sorting through the memories of her former home and then telling us what she is feeling through her body language. Unfortunately, the scene that comes right after, in which Rudd is allowed to act silly with his body language, dilutes the power of what we had just seen.
Furthermore, director David Gordon Green makes good use of wide shots as he is able to show nature in its rawest form, from a group of desolate old trees which reflects the physical isolation of the subjects to animals in search of food or shelter. He appears to have an eye for which behavior is worth putting in the final product and against which complementary color or specific texture. I will be very interested to see the result if Green decided to make a nature documentary.
The humor is, for the most part, quite understated. There are times when Lance and Alvin are unaware they are funny. However, I was unable to buy into the chemistry between the two leads completely. Instead of being convinced that Lance is forced to put some effort into liking Lance because one just so happens to be dating the other’s sister, much of my energy was put into trying to convince myself that I was supposed to be observing characters rather than actors playing their respective parts.
There is a difference between minimalism and plain. To its credit, “Prince Avalanche” dares to walk along that line. It is understandable why a select audience will be drawn to some of the poetry of the material, but it lacks a certain energy that allows it to stand above other comedies that share similar bloodlines.