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May 25, 2018

Taxi zum Klo

by Franz Patrick


Taxi zum Klo (1980)
★★★ / ★★★★

Frank (Frank Ripploh) is a thirty-year-old grade school teacher in Berlin who has consistently done a good job in keeping his private life separate from his work. He maintains a very active sex life by frequently visiting baths, restrooms, bars, and other places where he can hook up with other gay men. The responsibility of having to juggle the two spheres proves too much, however, when Frank decides to live with Bernd (Bernd Broaderup), a theater employee who was supposed to be just another one-night stand.

An autobiographical film written and directed by Frank Ripploh, “Taxi zum Klo” offers confronting images about the sexuality of gay men, but it is not created for mere titillation. Underneath it all is a tragedy because it tells a story of a man who is so accustomed to putting up walls so he cannot be read so easily that he ends up not knowing how to relate or connect with another person in a meaningful way. What he comes to know is the physical aspect of sex and beyond it is just darkness.

It certainly has shocking images, at least for its time and for those not exposed to the lifestyle, and, I must admit, I found some of them to be somewhat amusing. I admired that the picture dares to go to a place and is fearless in engaging the audience with details. For example, Frank visits a restroom, obviously a place where sex—one way or another—is involved, and sits in one of the stalls. To his left is a hole where one can observe another man stripping, masturbating, or whatever else. That hole is also used for oral sex. Though I could not help but snicker at what was happening on screen, the camera is unflinching, still, and determined to show what some gay men do—in the closet or not.

A recurring theme involves people being out in public—at a gathering or during a one-on-one conversation—and the exchanges being interrupted with images of sex. In an early scene, Frank and his fellow teachers spend the night out. At first, it seems to be just another scene designed to show that Frank is just another person despite his sexual orientation. On the contrary, and it remains open to interpretation, because of the intercutting scenes of someone masturbating—in color—and a group of men having sex—in black and white—I started to consider that Frank might have a degree of sexual addiction. Are those images thoughts that appear in his head while interacting with his colleagues? Though he seems to listen when someone is speaking to him, is he detached from what is in front of him?

And then there is Frank’s relationship with Bernd. The latter is ready for a commitment, so open in sharing what he hopes the two of them—together—will attain in the future, but the former cannot be bothered to look that far in time. There is a sadness and frustration to Bernd that he refrains from expressing because he is afraid that if he does, he would lose the man he loves. We may not agree with his approach but the mistakes and the dysfunctions of the relationship are interesting and so we are forced to look closer.

“Taxi zum Klo” is a brave and, in my opinion, a successful attempt of taking the subjects of homosexuality and homosexual acts out of the darkness. Though it may offend many due to some of its over-the-top images (there is a sequence that involves Frank urinating on a partner’s face), some going as far as labeling it pornographic, the characters are imbued with complexity that I ended up being more interested in their state of minds than what they do to satiate their carnal desires.

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