Endless, The (2017)
★★★ / ★★★★
Justin Benson and Aaron Moorhead’s sci-fi horror picture “The Endless” offers a spellbinding experience, filled to the brim with wonderful ideas and more than a handful of them are quite well-executed to the point where certain images and situations linger in the mind. It creates subtle ways to ask us what we would do if we were placed in the same challenges as its characters. Clearly shot with a limited budget, I admired that the filmmakers are not afraid to play the ambitious story quite small, thereby amping up the believability of increasingly bizarre situations. Here is a picture that does not rely on sudden left turns to tell a good story. There just so happens to be twists and turns in this head-scratcher.
Brothers Justin (Benson) and Aaron (Moorhead) receive a videotape from a UFO death cult that they escaped from nearly ten years ago. Aaron, having a spotty memory of what had occurred there, informs his elder sibling that he wishes to visit their former community. From what he remembers, the life they had was good: they had food on the table, people were friendly, and they had all the time in the world to engage their own interests. Recognizing that his baby brother is deeply unhappy with their current lives as cleaners who are constantly short on money, Justin agrees to go with him. Perhaps closure might be good for Aaron. It was agreed that would only spend one night there.
The film is highly watchable because it appears to be aware of horror conventions regarding cults and people who decide to join or infiltrate it. Expecting that we will always be on our toes, great tension is established during the former half by showing that the cult members are, in general, quite normal despite a few people having highly noticeable personality quirks. Nearly everything is so ordinary when it comes to the residents that we wonder if Camp Arcadia really is or was a UFO death cult in the first place. Naturally, what we see is a veneer of something more sinister just brewing underneath… or is it above?
To reveal more is to perform a disservice for those who are even slightly curious about seeing the film. I believe that those who find great pleasure in observing human behavior and looking for their tells will be right at home here. There is a man who always has a grin on his face—it looks so unnatural that one gets the impression the corners of his mouth have been stapled into place. There is another man who power walks and does not say a word. He seems to be on mission or that something requires his full attention. And then there is a woman who cries while everyone else is partying around the campfire. Maybe the place isn’t as happy as it appears. One looks at the night sky and sees two moons. Residents attempt to rationalize it.
The plot of “The Endless” does not point toward a cerebral experience—nor does it need to be one. It provides entertainment without the viewers being required to overanalyze every single plot point, left turn, or metaphor. It simply asks us to invest in the siblings’ strange, sometimes horrifying, journey and their need to reconnect with their past in order to get an appreciation of their present—despite the financial hardships and lack of self-fulfillment. The film works because its core is fundamentally human.