Film

Outlaw King


Outlaw King (2018)
★★★ / ★★★★

With a keen eye for beautiful vistas of majestic cliffs overlooking rivers and oceans, verdant forests, and flat terrains plagued with bogs, “Outlaw King,” directed by David Mackenzie, is visual splendor. It has a knack for placing the viewer into its particular time and place. But the deeper it gets in excavating the conflict between Robert the Bruce (Chris Pine), soon-to-be murderous king of Scotland, and the tyrannical King Edward I of England (Stephen Dillane), details are presented in a cursory and unsatisfying manner some of the time. Its constricted two-hour running time does not allow for the material to breathe between major turn of events. Right when one is finished, the next one is presented. It becomes a challenge to buy into the passage of time and so a fully immersive experience is not achieved. In the middle of it, one considers that perhaps telling the story in the form of mini-series might have been more effective. The work is elevated, however, by committed supporting performances, from Florence Pugh as Elizabeth de Burgh, Robert’s intelligent, supportive, and headstrong wife; Billy Howle as the irascible Prince of Wales with serious daddy issues; and Aaron Taylor-Johnson as revenge-driven James Douglas whose lands have been taken away on the basis of treason. I wished to know these figures and all their complexities, but we are provided only a glance.

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