Good Boys (2019)
★ / ★★★★
There is way to make a raunchy tween pseudo-sex comedy for adults, but Gene Stupnitsky’s “Good Boys” misses the mark completely. The reason is because it is a one-trick pony when it comes the would-be comic moments: Put six-graders Max (Jacob Tremblay), Lucas (Keith L. Williams), and Thor (Brady Noon)—collectively known as the Beanbag Boys—in adult situations (buying drugs, stealing beer, spying on neighbors, and the like) and allow their innocence to shine through. The formula is lazy, repetitive, and, for the most part, unfunny. Notice how there is minimal flow to the comedy; just a parade of one wacky scenario after another with no dramatic pull. Cue the boys screaming when things go awry. Just because the tweens utter curse words like sailors does not automatically mean the material is effective. Two-thirds of the word through, the work undergoes a forced and unconvincing tonal shift. However, there is a lack of convincing drama in the boys realizing they will not be best friends for life precisely because the screenplay by Stupnitsky and Lee Eisenberg has treated these characters as cardboard cutouts for the majority of the picture.