A Kid Like Jake

A Kid Like Jake (2018)
★★ / ★★★★

With a title like “A Kid Like Jake,” it is reasonable to assume that the movie will be about parents who must come to terms with their child’s nature. Specifically, it is brought to Alex (Claire Danes) and Greg’s (Jim Parsons) attention that perhaps their four-year-old son (Leo James Davis) is showing signs of being “gender-expansive.” Jake prefers to play with dolls and princess dress-ups than he does sports or superheroes. In actuality, however, the child’s sexuality or gender is not what this film is truly about. It is about parents who must deal with their own fears or concerns regarding 1) having to raise a child in a society that doesn’t really understand—or care to understand—what gender identity means, 2) their feelings of inadequacy—what they did or didn’t do, if they could have done things differently as to prevent “confusing” Jake about his gender and 3) the boy not having a spot in private school that could foster his potential. The movie is well-acted, its heart is in the right place, and it does reach a few compelling moments when characters clash while the camera is right there mere inches away from their expressive faces. We feel the unsaid words behind their eyes. But the movie lacks subtlety, even common sense at times. For instance, the couple’s state of conflict is rooted upon how they perceive their child and yet there is not one convincing moment in which a case is made that a boy preferring traditionally feminine toys or a girl preferring traditionally masculine toys does not have to mean anything at all. Maybe, just maybe, parents nowadays, especially those who come from privileged backgrounds, tend to overanalyze. When basic facts are ignored in what is supposed to be intelligent and thoughtful drama, it is a house of cards. Based on the play and adapted to the screen by Daniel Pearl. Directed by Silas Howard.

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