Film

Scare Package


Scare Package (2019)
★ / ★★★★

The horror anthology “Scare Package,” composed of seven shorts and a unifying narrative that takes place mostly in a video store, is for viewers who require only minimal brain power for it offers a relentless barrage of obvious and unfunny jokes that get tired—real tired—mere thirty minutes in. The point is to introduce and then subvert horror tropes (i.e.: the use of excessive gore, women being used as props to exploit or make a statement, the idea of “the final girl”), but the material seems content in pointing at familiar motifs without communicating why they exist and how they can be effective tools of storytelling—or function as limitations. The work is given purpose but not imagination, notes on a page without the music. It’s a bore.

Perhaps the best short, if I were to choose while under duress, is Chris McInroy’s “One Time in the Woods,” a gore-heavy creature/slasher flick that gets by somewhat with sheer energy. I enjoyed the practical effects surrounding a monster that had been stopped mid-transformation (the setup) while it is able to retain the ability to speak (the punchline). Everything else around it is uninspired; it involves doltish campers (actors in their thirties or forties playing teenagers—ha-ha) running away from a masked serial killer. Slicing, dicing, and tearing up limbs lead to the caricatures on screen being hosed down with red goo and such. It is meant to look cheap. And it does. It’s breezy fun and it ends just when it is starting to wear out its welcome.

That’s more than I can say about Courtney and Hillary Andujar’s “Girls’ Night Out of Body” which involves a haunted… lollipop that one of the women stole from an Asian convenience store. Prior to the start of the short, the VHS—the sole VHS—is shown under the “Post-Modern-Feminist-Slasher-Body-Horror” aisle. I got a chuckle out of that one. But that’s the best bit. In this day and age in which feminism—sometimes blind feminism—is celebrated, you might think the material would strive to make a statement about the female sex, traditional gender roles, and what is expected of a young woman in horror movies (taking off her clothes, screaming and moaning as if she were having sex when she is actually being pursued and tormented). But no. It simply features girlfriends hanging out in a motel room as they wait for a masked man to knock on their door. I think it is the worst of the bunch—quite a feat because nearly all of them are equally egregious. (Baron Vaughn’s body snatcher “So Much to Do” is a close second.)

I recognized potential in the wraparound narrative “Rad Chad’s Horror Emporium” directed by Aaron B. Koontz. Or maybe I just miss being inside video rental stores. In any case, I enjoyed watching enthusiastic performers (who clearly took inspiration from Mike Judge’s “Office Space”) Noah Segan (as the clerk who may or may not be what he seems…), Hawn Tran (as the new employee whom the clerk has dubbed to be his “little Pikachu”), and Byron Brown (as the customer who is desperate to get hired in a place he loves) wringing out every bit of smile, chuckle, and laughter from the audience. There is an awareness to their performances that comes across endearing for they embody familiar personalities you’re likely to bump into at Blockbuster or Family Video. I wished the entire movie is just hanging out with this trio.

It is a complete miscalculation to take these characters and jam into yet another short—which is supposed to be ironic, I guess, because the thirty-minute “short” called “Horror Hypothesis” (also directed by Koontz) is the longest. “Breakfast Club” archetypes running around a research facility as yet another serial killer aims to kill them off is just boring. By this point, the movie is out of steam and I was out of patience. Must we endure another set of cardboard cutouts attempting to flee from another towering assailant? Horror movies vary so wildly and yet this anthology is stuck doing the same thing. By the end of it, I was convinced the filmmakers should be forced to watch foreign horror cinema. Because what’s at offer here is child’s play.

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