The Pool (2018)
★★ / ★★★★
It is curious that the situational horror “The Pool” opens by exercising its shoddy visual effects: a man (Theeradej Wongpuapan) at the bottom of a dried up swimming pool being hunted by a hungry crocodile. It is six meters deep; no ladder, no one else around to ask for help, no apparent means of escape. Nothing about the confrontation is believable, let alone terrifying, because it is obvious the actor is performing in front of a blue screen. But that’s what I enjoyed about it: It makes no pretense in regard to its limited budget. This first scene is a rebel yell that writer-director Ping Lumpraploeng plans to push his wild concept all the way through the finish line. However, it cannot be denied that the journey there is not always first-rate entertainment. Logic is thrown out the window one too many times in order to introduce more conflict rather than to amplify those already present, particularly when the man’s girlfriend (Ratnamon Ratchiratham) enters the equation. Tension could have been far more potent had this been a man versus nature story, not man and his girl. When not illogical, the screenplay goes for syrupy drama (cue the soap opera-like flashbacks), and eventually its anti-abortion stance gets in the way of straightforward storytelling. I felt that its edges are softened for the sake of stroking the more conservative viewers’ bubbles. The third act shows it is more than capable of treading darker territory and yet shies away last-minute. It chooses a happy ending over one that feels right for the material. By doing so, its power is lessened significantly.