★★★ / ★★★★
Gated communities are meant to keep people out. In “1BR,” written and directed by David Marmor, they’re designed to keep people in. Executed with a specific vision and a whole lot of patience, the picture does not waste any time in making viewers feel off-balance. From the moment Sarah (Nicole Brydon Bloom) enters the Asilo Del Mar apartment complex for an open house, there is a creepiness to the community that’s bubbling just beneath the surface. Residents are too smiley, too friendly, too accommodating—to the point where it almost feels staged, a charade. Bloom is terrific as a lonely young woman who has run away from a painful past, which involves her mother’s passing from cancer, to try and make it in Los Angeles as a designer despite a lack of support from her father. There is a translucent quality to her face; when Sarah comes up with a specific thought or feels a certain emotion, it is right there for us to absorb. We sympathize with Sarah’s yearning to connect and be accepted. (Her only friend is her cat named Gyles.) Bloom is someone to keep an eye on. Meanwhile, the picture comes alive about a third of the way through—almost thirty minutes in—when it is revealed to us what’s really going on in the heavenly Asilo Del Mar. As our heroine is subjected to brutality and humiliation, we become increasingly angry for her and wish for her to fight back. But how can she when being a pushover is Sarah’s nature? Although the work tackles the dangers of group-think and conformity on a superficial manner, it is consistently entertaining. This is a solid debut film. I look forward to what Marmor will come up with next because I feel he has even more twisted stories up his sleeves.