The Curious Case of Benjamin Button (2008)
★★★ / ★★★★
Directed by the enigmatic David Fincher (“Se7en,” “Fight Club,” “Panic Room,” “Zodiac”), “The Curious Case of Benjamin Button” is a sight to behold, but it is too long for its own good. While the first and last hours are absolute perfection, I couldn’t help but feel tired during its saggy middle. There were so many repetitive elements that Fincher could’ve left out because they do not contribute to the overall big picture. I consider this film as one of Brad Pitt’s most complete performances. Throughout most of the picture, we see him with wrinkly skin and broken down posture; however, we feel for his character so much because even though he is born in extraordinary circumstances, he leads a pretty ordinary life. Pitt reminds everyone that he is more than just an actor who is mostly known for his pretty face. Prior to watching this film, I thought this would be another “Big Fish” which highlights oddities and fantasies but I was glad to be proven wrong. Although the characters we meet during Pitt’s journey are colorful, they are not out of the ordinary–they are people who are not unlike anyone we can meet off the streets, but they have fascinating stories to tell because of their beliefs and drive. My favorite character who Pitt meets is played by Tilda Swinton. She craves to do something with her life, but she feels trapped because of a specific failure she experienced in her past. That fear to continue only to possibly fail again is universal so I couldn’t help but get affected. Cate Blanchett is always amazing in every movie I see her star in so it was no surprise that she delivered. I couldn’t take my eyes off her during her ballet sequences. I could feel the pain in her eyes whenever the topic of getting old is discussed; her insecurities are heightened whenever she sees her lover get younger every time they meet. Like the fear of failure, the fear of getting older is universal as well. Although those two actresses did a great job, I think Taraji P. Henson, as Benjamin’s mother, should be recognized as well. She played her character with such sincerity, I felt warm whenever she’d express her enthusiasm. Even though this film is about many universal ideas, my favorite issue it tackled was the idea of returning home. There was a quote that made me think because, being a college student that goes to school about seven hours away, it is true in my case: “It’s a funny thing coming home. Nothing changes. Everything looks the same, feels the same, even smells the same. You realize what’s changed, is you.” I didn’t love this picture, but I really liked it because it has so much to say about life. In a nutshell, despite its depressing tone, it made feel so thankful and so happy to be alive.
Smiley Face (2007)
★★ / ★★★★
This movie is a smogasboard of cameos ranging from the most familiar names and faces–Adam Brody, John Krasinski, John Cho–to those whose faces are familiar but their names give us a hard time recalling–Jayma Mays, Marion Ross, Rick Hoffman. But this movie would’ve been a complete mess without Anna Faris. She once again proved to me–twice to this year along with “The House Bunny”–that she can elevate an average movie into a pretty good one. For me, Faris is like Steve Carell: both can stand in one place and not do anything but they never fail to make me laugh out loud. I was shocked when I found out that Gregg Araki directed this stoner comedy. It’s the complete opposite of the moody, serious, and masterful “Mysterious Skin.” What I like about this film is that it’s so random and pointless to the point where it got me thinking. I know it may sound weird but I thought this picture had something to say about the way we live our lives; how random it is, how things don’t quite go the way we expect them to be. When such disappointments happen, we may feel angry or sad or both, but by the end of the day, we should just be thankful that we’re alive–that we are able to feel these emotions and (possibly) learn from our experiences. Araki really shows his talent during some silent but exquisite scenes, especially that one scene when Faris was sitting on the beach, facing the wind and the sand as the sun sets. I’m really glad that a friend recommended this to me (he’s a big Anna Faris fan) because I decided not to add this movie to my Netflix upon its release since the premise sounded lame. Yes, it’s stupid and can go in a million different directions, but I learned to embrace its positives. It’s funny, the performances are pretty good (especially Faris), and strangely thoughtful.
Revolutionary Road (2008)
★★★★ / ★★★★
Even though “Revolutionary Road” is set in the 1950’s, it’s still very relevant today. Directed with such skill by Sam Mendes (“American Beauty,” “Road to Perdition,” “Jarhead”), he tells the story in a non-linear fashion and it works because the audiences are asked to immediately contrast how the couple was like when they met and after they’ve been together for a couple of years. I will be surprised if Leonardo DiCaprio and/or Kate Winslet do not get nominated for an Oscar. Even though I don’t think this is DiCaprio’s best performance, I think this is one of his most mature and he deserves to be recognized. It’s about time he wins an Oscar for consistently giving us characters that are both memorable and worth caring for. Winslet is magnificient in every movie I see her in and this one is no exception. To be honest, the reason why I loved this film is that I got to watch these two extremely talented actors (with great chemistry) scream at each other for long periods of time; they gave me some sick satisfaction because they are so good at it. I keep reading complaints from reviewers about the selfishness of the characters and how that quality makes it hard to relate to them. I cannot disagree more–I think selfishness is what makes them relatable because that’s a quality that everyone has whether he or she realizes it or not. And it’s not like the characters are selfish for no apparent reason: DiCaprio thinks his job is pointless but won’t quit because he knows that he has to provide for his family, while Winslet is desperate to move out of suburbia because she’s dying on the inside and craving for some excitement. All that frustration is not expressed in a healthy way so they lie, play mind games with each other, and become selfish because they couldn’t get what they need from one another. I thought the film was raw and realistic; at some points during the film, it made me reflect on my childhood when my parents would fight in front of me. Mendes managed to catch the awkwardness, shame and crushed egos after a big argument. In fact, one of my favorite scenes in the film was the morning after a big fight and how Winslet and DiCaprio pretended like nothing happened. I thought that scene was haunting because that’s when I realized that they act more like strangers when they’re peaceful with each other. In some ways, even though the tone of the film is sad and depressing, there are pockets of darkly comedic moments. I don’t know what it is about me but I always find something amusing when it comes to depressed rich people living in suburbia. This is the kind of movie that I would recommend to couples everywhere who think that they’ve fallen in love after only going out for a short amount of time. In essence, this is a cautionary tale for people who believe in love at first sight.
Hallam Foe (2007)
★★★ / ★★★★
Right from the get-go, the film establishes that the protagonist (Jamie Bell) is a strange but very sad character because he doesn’t know how to cope with his mother’s death. He acts out by spying on people, breaking into people’s homes and going through their things, all the while jotting down what he has seen, felt, and done after such actions. He also happens to believe that his stepmother (Claire Forlani), his father’s former secretary, killed his mother. That first part of the film was compelling because Bell was able to make the audience feel for him even though the things he does are creepy and borderline criminal. I found it difficult to blame the protagonist because not only is he really young and not aware of the consequences of his actions, I could tell that he really did love his mother… or maybe he loved her too much to the point of utter dependence. Taking that important parent figure from his life at such a young age damaged him emotionally and psychologically so I found his flaws to be reasonable if not relatable. The second part of the picture when Bell moved to the city and met a look-alike of his mother (Sophia Myles) was a bit less compelling because there were so many distractions that slowed the plot down (the scenes during his job which was supposed to serve as an escape, his nightly adventures in the streets, et cetera) .The only thing about the second act that I found to work in all levels was his sexual attraction to his look-alike mother (and how he stalked her at first). It says a lot about his desperation and the lack of closure regarding his mother’s death. The last act when Bell returns home was jawdropping and heartbreaking at the same time. By the end of the film, I felt like the main character grew so much despite still being a bit flawed and fragile. The story doesn’t tie everything up regarding the characters’ lives but offers hope that there’s a light at the end of the interminable tunnel of bleakness and confusion. This film provides an interesting character study and I only recommend it to those that are interested in how a character evolves over time.
The Hunting Party (2007)
★★★ / ★★★★
The beginning was so all over the place that I was almost certain I would give this film a two stars at best when it ended. I was proven wrong in the second half when everything started coming together. The jokes are more witty, the characters are more interesting because they’ve begun to change, and the implications regarding politics are more powerful. Richard Gere, Terrence Howard, and Jesse Eisenberg are amusing as three journalists who attempt to capture one of the most wanted terrorists in the world. I couldn’t stop smiling to myself when they eventually resulted to posing as CIA agents because they are so desperate to reach their goal. Richard Shepard, the director, did a good job of not making the story heavy-handed. I’m a big fan of his film called “The Matador” which definitely has similarities to this film. He has a talent of telling unconventional CIA stories that are both thrilling and comedic. And it was really hard for me to assign this picture to one genre because it touches pretty much all genres due to its subject matter. If only the first half of this movie was as good as the second half, I think it would’ve been an instant favorite of mine. It took too long to establish the characters and their purpose. Upon reading the film’s plot, we know which direction it’s going to take so there’s no reason for it to be unfocused. If one decides to watch this movie, I suggest not to get discouraged during the first forty minutes because the rest of it has something meaningful to offer. It suggests a lot about how certain groups of power like the CIA and the United Nations might work in real life.
The Bubble (2006)
★★★ / ★★★★
This movie showed my limited knowledge of the Israeli culture, which I think is a great thing because I’m that much more aware by the end of the day. I was surprised by how much the characters are aware and admire the American and European cultures. I enjoyed the references such as the play (which was also turned into a movie) “Bent,” competitions like “American Idol,” to actors like River Phoenix. And those are only some of the references that are talked about; some are posters on the walls and some can be seen on their television sets. In a way, these characters use foreign media to escape the unstable politics of their country. On top of that, the characters deal with finding romance–whether it’s a woman (Daniela Virtzer) searching for a man, or a man (Ohad Knoller) searching for another man (Yousef “Joe” Sweid). For an LGBT picture, it’s very political. I imagine casual moviegoers who want a typical boy-meets-boy story will be very frustrated with this because politics and romance get an equal amount of screen time. But that’s the reason why I was consistently interested in what was going on in the film: the LGBT characters are complex in a different way. It’s nice to see how the characters show their love for country by voicing out how much they oppose the war instead of supporting it. From some of the people I met, they think that the only way to show love for your country is to support its agendas–whatever they may be. This is one of the more meaningful, sensitive, intelligent, and challenging LGBT movies I’ve seen in a while.
American Teen (2008)
★★★★ / ★★★★
The true rating I would give this film is three-and-a-half out of four stars (if I did half-stars), but I decided to round up because watching it made me feel like I was back in high school: the drama and the emptiness, the highs and the lows. I found bits of myself with all of the subjects (some more than others) and it made me reflect on who I was in high school and who I am now. The person I could identify with the most is Hannah Bailey (the rebel) not just because she’s into movies but also the fact that she considers herself to be an “in-between” pertaining to the high school spectrum that ranges from ubergeekdom to uberpopulardom. Whenever she’s on camera she truly shines because she offers something refreshing: while the rest of the subjects, more or less, are most concerned about getting into a specific college or feeling peer pressure of belonging in a group, Hannah wants to get out of Indiana as soon as possible and move to San Francisco because she’s so suffocated by both where she lives and who she’s surrounded by (and their ideals). Jake Tusing (the geek/loner) is interesting for me to watch because he’s so socially awkward (that table scene cracked me up so much!) and I feel bad whenever he puts himself down. It irks me whenever someone says a mean comment directed at him (joking or otherwise) but he just brushes it off by agreeing with them. He needs to learn that he can still be a great person while at the same time not letting certain people get away with certain things. As for Colin Clemens (the jock), even though I didn’t participate in competitive sports, I can relate with him because he wants to go to college but his family do not have enough income to pay off the tuition (not to mention I can get really competitive and I know how it’s like to lose once in a while). He needs a basketball scholarship to pursue an education or else he has no choice but to go to military school. I found it very easy to identify with him because I hate seeing people who want to spread their wings but unable to do so because of pecuniary matters. As for Megan Krizmanich (the queen bee), she has her uberbitch moments but she’s far from a monster. I consider her a textbook definition of a traumatized individual hiding behind a false strong front. She reminded me of myself back in high school when I would easily get angry over the silliest things, when in reality, it was more about my own self-esteem rather than people’s behavior that I don’t agree with. Last but not least, Mitch Reinholt (the heartthrob) is another basketball jock and best friends with Colin. He’s a genuinely good person but he succumbs so easily to peer pressure. I wanted to shake him so badly and tell him that in order for him to be truly happy, he should do whatever he feels is right and ignore what everyone else says. Ultimately, the five subjects are admirable and flawed in their own ways. Nanette Burstein, writer and director, paints her audiences a fairly accurate portrait of how it’s like to be a high schooler in America. If the middle portion of the film had been more daring and focused instead of simply exploring what’s on the outside, this would’ve been a stronger. (It did explore what’s underneath at some points but it didn’t do it enough.) Even though one may not agree with stereotypes, it’s undeniable that these people do exist and it’s important for one to look beyond what’s on the surface.