Zombi 2 (1979)
★ / ★★★★
After I’ve seen zombies that can run like the wind à la “28 Days Later” or “28 Weeks Later,” slow-moving flesh eaters just don’t impress me anymore unless they’re being spoofed like in “Shaun of the Dead.” But I always try my best to put things into perspective because modern zombie pictures wouldn’t be the same today without the classics. A woman (Tisa Farrow) and a reporter (Ian McCulloch) decided to go on an island in the Caribbean to look for the woman’s father. Along the way, they met a couple (Al Cliver, Auretta Gay) on vacation who were kind enough to take them to the island of interest. But little did they know that the island was infested with the living dead. Although considered now as a classic, I believe “Zombie” was a mess. It talked about voodoo being the reason why the dead were rising from the grave but the word was not really explored nor did it touch upon its source. Voodoo has a variety of definitions depending on the culture–did this one involve dolls and pins? Furthermore, characters would ask something like, “What ARE those things rising from the grave?” in utter disgust. And someone would reply he didn’t know. However, after a few seconds the word “zombie” was thrown around like a football. That inconsistency in the script bothered me as much as the characters choosing to make one stupid decision after another. If the characters are as stupid (and as slow-moving) as the zombies, the fun is immediately taken out of the equation. Time and again the character would purposely run into an area where she knew there would be a dead end. I also hated the fact that characters would stand around and wait to be bitten. Horror movie directors should always ask themselves, “What would I do if I was in this particular character’s situation?” Thinking how we would respond and applying that instinct to the characters would not only make the characters more believable, we would be able to relate to them so much easier. If I saw a zombie a few feet away from me, I wouldn’t even think about trying to find the best weapon. Instinct would tell me to run as if I was in a 200 meter dash. And if I happen to run at a dead end and I had no choice but engage in combat, I would fight like I’ve never fought in my life. The last thing I would do was to stand around and say, “Oh, here I am. Bite me.” This was supposed to be a spiritual sequel to George Romero’s original 1978 “Dawn of the Dead.” “Zombie” or “Zombi 2” certainly wasn’t as intelligent or as ambitious as that film. Although I must say that the zombie versus shark scene was pretty neat. Oh, and I suppose I liked the soundtrack, too.
The Crazies (2010)
★★★ / ★★★★
A remake of George A. Romero’s 1973 original of the same name, “The Crazies” was about a man (Timothy Olyphant) and his wife’s (Radha Mitchell) struggle for survival when a strange chemical started affecting their friends and neighbors. At first, the infected would have a fever but after two days, they would exhibit strange behaviors which ranged from catatonia to full-on violence like killing their families or random strangers. I was surprised with how good this movie was because most of the reviews I read expressed disappointment. I really liked that this film, directed by Breck Eisner, knew how to build suspense and had a pay-off every ten to fifteen minutes so I was engaged with what would happen next. I loved the way it used tight spaces to its advantage, such as the horrifyingly terrific scenes in the morgue and the car wash. When at its best, it reminded me of the relentless scenes in “28 Days Later” and “28 Weeks Later.” Unfortunately, the film had its drawbacks thirty minutes into it when the military started taking over the small town. Prior to that, I thought the movie was fantastic because it felt personal. The main characters had no idea what was going on and slowly but surely, the safe life they were so used to living was broken by very strange and creepy happenings which started during a baseball game. With the military in the picture, it became cold and impersonal. Having said that, since this was a remake, I knew that it still had to remain loyal to its original source. However, I felt as though the movie could have minimized the military scenes, which they did during the last twenty or so minutes. But maybe this version minimized the politics as much as they could. I’m not sure because I haven’t seen the original. The movie was at its best when the lead characters who were easy to root for were placed in paranoid situations in which they either had to hide from an infected or think that a friend had the virus and it was only a matter of time until they wouldn’t be on the same side anymore. “The Crazies” was fun to watch because when it’s serious, it gets pretty scary, but it had unintentionally funny lines. It reminded me of a hybrid among the zombie pictures mentioned earlier, “The Happening” and the highly underrated “The Texas Chainsaw Massacre” back in 2003. It could have used a little more brain and character development but those elements were the furthest things in my mind when the characters were being attacked from left and right in the most gruesome ways possible.
★★★ / ★★★★
I love zombie movies because I’m fascinated with the idea of the dead taking over the world of the living. (Did I mention I have nightmares about zombies?) Not to mention zombie flicks usually have social commentaries which were not absent in this little gem. “Zombieland,” directed by Ruben Fleischer, stars Jesse Eisenberg as Columbus, who wants to make his way to Ohio to be reunited with his parents. On the road, he meets Woody Harrelson as Tallahassee, a man on a mission to find Twinkies; Emma Stone and Abigail Breslin as Wichita and Little Rock, respectively, sisters who initially look innocent but turn out to have a knack for survival. The very “28 Days Later”-like gathering of very different people was smart because all of them yearned for that rare human connection in a world full of flesh-eating monsters. All four of them eventualy head to Southern California in order to find refuge with other humans. I love this movie’s self-awareness. It seemed to know its strengths which were highlighted in the beginning of the film as Eisenberg described his survival guide. It was done with such craft because the jokes were genuinely laugh-out-loud funny so the realization that it was all a gimmick later on became insignificant. The flashback scenes were done well, especially how Eisenberg’s character reflected on how much of a loser he was back when humans still ruled the planet–staying in on a Friday night playing video games, not socializing with people, and not getting enough attention from girls. A lot of people compare him to Michael Cera but I think there’s an important difference between the two. I think Eisenberg’s awkwardness is edgy and his characters usually have a certain toughness. Cera’s awkwardness, on the other hand, is softer and cuter–the kind that makes you go “Aww” and maybe pet him afterwards. That awareness was also highlighted via pop culture references from Russell Crowe, Facebook to Ghostbusters. Comparisons to “Shaun of the Dead” is inevitable because it is a horror-comedy about zombies. But I think “Zombieland” is a little scarier because the characters didn’t stop to analyze a zombie, imitate, and make quirky comments about them. All of that said, I had one problem with the film. I thought it slowed down a bit somewhere in the middle because it spent too much of its time showing the characters bickering on the road. It got redundant and such scenes could have been taken out and instead added terrifyingly slow suspenseful scenes. Lastly, I thought the final showdown at the carnival was inspired. The movie was able to find ways on how to kill zombies using the rides or the characters using the rides to their advantage. It made me want to ride a rollercoaster right then and there. I’ve read audiences’ reviews about how surprised they were with how good the movie was. To be honest, right after I saw the trailer for the first time, I had a sneaky feeling that it was going to be good. It certainly didn’t disappoint and in some ways exceeded expectations. If you love zombie movies, blood and guts, cameos, and pop culture allusions all rolled into one, then see this immediately. It’s total escapism and it has the potential to get better after multiple viewings.
★★★ / ★★★★
Having seen and being impressed with the remake called “Quarantine,” I just had to see the original. I think both are very effective even though they pretty much had the same scenes. In “[REC],” astutely directed by Jaume Balagueró and Paco Plaza, it had less exposition but the audiences quickly cared about the reporter (Manuela Velasco) and her cameraman. The reporter had a certain spunk and enthusiasm and what the cameraman saw, we saw so there was an automatic connection there. Everything starts off pretty light as the reporter interviewed the firemen about their every day happenings. Things quickly went for a darker turn when the firefighters got a call from an old apartment complex. At first, they thought it was just an old woman that fell and needed help. But when she started attacking and biting people, everyone pretty much knew that something more sinister was going on. People started dying in gruesome ways in the hands of zombie-like infected people and they get quarantined by city officials without an ounce of explanation. What I love about this film was its natural ability to build tension after each scene. There were moments when I thought that if I was stuck in the building with them, the exact same thing could happen so I was definitely more than engaged. “The Blair Witch Project” was undoubtedly this picture’s biggest inspiration but it managed to tilt just enough to have an identity of its own. The best part of the movie for me was the last fifteen to twenty minutes when they finally made it inside the apartment on the top floor. Such scenes revealed to us that it had more to it than “28 Days Later”-like zombies. The disease had a history and I wanted to know more about it. (Maybe a sequel?) But, of course, the scares did not end there. I felt like I was in that dark room with them as they tried to use the night vision option on the camera. I tried not to blink because I was expecting those “shock”/”jumpy” moments. But even then I was surprised and things popped out of nowhere. If one is a horror film fan, this is a must-see. However, this is definitely not for those who dislike shaky cameras in order to add some type of realism to its craft.
★★★ / ★★★★
I was surprised by the quality of this little horror film. Directed by Toby Wilkins, “Splinter” is a story about a couple going camping on their anniversary (Paulo Costanzo and Jill Wagner) and are ambushed by an escaped convict (Shea Whigham) and his girlfriend (Rachel Kerbs). Initially enemies, the two couples had to team up right away after running over a creature that feeds off human and animal blood. Not to mention that it can take over its host after it feeds off the host’s blood. I was horrified because of the way the body moved when the creature was controlling its victim’s bodies. It reminded me of the possessed girl in “The Exorcism of Emily Rose” and those rabid zombies in “28 Days Later” and “28 Weeks Later.” Even though this is a small film, it was surprising how much gore it has. It goes to show that a script with smarts and a creative director can go a long way. I was also impressed by the acting. Even though I liked the “good guys” right away because they were cute and funny together, I also found myself feeling for the “bad guys” because of their circumstance. Another thing I liked about this film was that it didn’t even bother to explain where the creature came from. Most creature-feature films fall for the trap of having to elucidate why and how a monster came into existence. I was glad that this one did not. If one is a fan of horror movies where the characters are trapped in one place (in this case, in a gas station), the characters are smart but not above being silly, and there’s a plethora of effective thrills, “Splinter” is definitely the one to see. I couldn’t help but shudder (and maybe even squeal a bit) during some of the most intense scenes.
★★ / ★★★★
I think a lot of critics and audiences alike have been way harsh on this film. I concur that this picture is not easy to swallow and digest since most of the story took place in one area. It definitely got suffocating because the audiences are subjected to see the same place for about an hour and fifteen minutes (the middle portion); the only things that changed are the increasingly disgusting living conditions of the blind and the dynamics among the wards. Mark Ruffalo and Julianne Moore lead one of the wards, a doctor and a doctor’s wife, one lost his sight and the other one kept her sight (though it must be kept a secret), respectively. It was interesting to watch their relationship change as the film went on because Ruffalo depended on his wife regarding pretty much everything. There was a brilliant scene when Ruffalo talked to Moore about not seeing her the same after she feeds him, bathes him, and cleans him up in ways that a nurse or mother normally does. There was this undeniable tension between them but at the same time they must stay together because everything around them is falling apart. I thought it was interesting how Fernando Meirelles, the director, chose to tell the story. In the first few scenes, we focus on this one man who suddenly goes blind in the middle of traffic (Yusuke Iseya) and slowly transition to other people suddenly going blind to the point where it becomes an epidemic. The epidemic and ravaged city reminded me of “28 Days Later” and “28 Weeks Later,” only instead of zombies roaming the streets, it’s blind individuals. I also liked the slightly hopeful ending because the suffering was not entirely for naught. Still, by the end of the picture, I still wanted to know the source of the epidemic. That lack of explanation somewhat got to me (and I imagine as most people would). I don’t deny the fact that I saw some hints of great filmmaking here such as the stark contrast between certain images in the beginning and the end of the movie. I also liked the “Lord of the Flies” element in the quarantine zone when everyone had to decide who would get how much food, who the leader should be and who would emerge victorious between the wards. I’ve never seen Gael García Bernal so immoral so his character definitely took me by surprise. With a little bit more explanation and less saggy middle portion, this would’ve been a much powerful film. The acting was already really good and there were scenes that really tugged at my heartstrings. See this if you’re curious and hopefully you’ll see what I see in it: potential.
★★★ / ★★★★
This movie genuinely scared me. It is comparable to “28 Days Later” and “28 Weeks Later” because of the zombie-like creatures that are fast and extremely menacing; “Cloverfield” comes to mind because the entire picture is seen through a hand-held camera. Despite the content of the film, without Jennifer Carpenter (“White Chicks,” “The Exorcism of Emily Rose,” “Dexter”), this movie probably would’ve failed. Providing a character that’s real, good-natured, and one of the boys (established during the amusing first fifteen minutes), we ultimately care about her when the creatures roam about the apartment complex. She really amazed me during the last few scenes because not only can she scream and look good doing it, I wanted to reach out into the screen and help her escape. Another stand-out is Jay Hernandez (“Hostel,” “Planet Terror,” “Lakeview Terrace”) as a firefighter who is both strong and approachable. I wish he and Carpenter had more scenes together because when they interact, the movie feels more alive. As for the scares, a lot of them are memorable: whether something is moving in the background, strange noises coming from a dark room, or bodies falling from above–all of it worked because the characters are trapped in one place. Danger is always around the corner and it doesn’t let go until the credits appeared. I thought the use of lighting is excellent. Most of the time, it makes me want to look closer because the “thing” that we’re supposed to be looking at is shrouded in darkness. Therein lies the trap because once you look closer, something pops out–your heart starts beating and your eyes try to look for an escape. This is one of the better horror films to come out recently and I’m glad to have seen it in the cinema with a friend and enthusiastic horror fans.