Momma’s Man (2008)
★ / ★★★★
Have you ever seen a movie where fifteen minutes into it you have a feeling it’s going to be a disaster but you decide to sit through it, hoping that it will get better or maybe even redeem itself but ultimately doesn’t? “Momma’s Man,” written and directed by Azazel Jacobs, is that kind of movie. It tells the story of a man (Matt Boren) who initially visits his parents (Ken Jacobs and Flo Jacobs–the director’s real-life parents) for a few days but then decides he wants to say for a longer period of time as he totally abandons wife and child. He comes up with so many ways to stay such as lying to people about the health of his mother, lying to his parents about his wife cheating on him and even deliberately falling down the stairs hoping to break his bones. It’s supposed to be funny but I didn’t find anything amusing about it because I seriously thought that this man had a psychological disorder. And to me, people with psychological disorders are not to be poked fun of unless it’s done in a bona fide manner like in “One Flew Over the Cuckoo’s Nest.” In here, the character is so unlikeable because he fails to see how his actions cause a ripple effect to the lives around him. His parents are very worried about his mental state and his wife has no idea why he refuses to come back. I didn’t like the parents either. I felt like they have no real authority over their son: the mother is an enabler, the father is emotionally distant. No wonder their son wants to relive his childhood–he wasn’t brought up in a healthy way. I don’t want to delve into Freudian mechanics but the main character is literally fixated on everything about his younger years. As for the film’s tone, I found it to be really annoying. I couldn’t believe I was made to sit through bad song lyrics written by the main character back when he was a teenager or even watch him put shaving cream on his face for five minutes. I’m very familiar with independent filmmaking and I love smaller films. However, this one is just weak all across the board. The acting was painful for me to sit through, especially the mother’s, because her tone of delivery is so consistently flat. I have absolutely nothing positive to say about this picture (which is a rarity because I usually find something positive about most movies) and I urge everyone else to stay as far away as possible from this wreck. It was a waste of a hundred minutes.
Frozen River (2008)
★★★★ / ★★★★
Courtney Hunt’s screenwriter and directoral debut blew me out of the water. “Frozen River” is about a desperate mother (Melissa Leo) who tries to keep her family afloat after the father of the family leaves and takes all their money with him. Not knowing what else to do because her part-time job is not enough to keep up with the bills, Leo teams up with a Native American (Misty Upham) to smuggle immigrants into the United States for $600 per person. This movie left me so overwhelmed because it’s very efficient with its time. Each minute adds a piece of the puzzle regarding why the characters choose to do what they do. And that’s the key: The characters choose to do what they do even though they very well know that such actions are illegal, yet we still very much sympathize with them. I think that’s where Hunt’s talent comes in–she makes her character so raw to the point where I can imagine the events actually happening in real life. The acting all-around is top notch. Leo and Upham are initially pit up against each other yet they share a common bond that’s strong enough to overcome their differences. Leo definitely deserved her Oscar nomination because, right from the first frame, I sensed a certain complexity from a mother who will do anything it takes to provide for her children (Charlie McDermott, James Reilly). There’s this one scene when they have nothing else to eat other than popcorn and orange juice. It made me think that, if I were in Leo’s situation, I would also smuggle illegal immigrants despite the risks. Also, she has only a few simple dreams for her family (such as getting her children presents for Christmas and buying a new house) but she cannot quite achieve them. While she does tend to blame herself once in a while, she always decides to get up because no one else will solve her problems for her. In a nutshell, the lead character is very flawed but I could not help but admire her resolve. I was also surprised by how suspenseful it got during the smuggling scenes. There’s a lot of political elements that come into play whenever they have to escape such as the differing rules when one is in an Indian reservation. By the end, I was so emotionally drained but I still wanted the film to continue because I was curious about what would happen next to the characters. This is a superb film in every respect; it may be small in scope at first glance but it’s truly quite universal.