The Butcher Boy (1997)
★★★ / ★★★★
Francie (Eamonn Owens), a boy with a very active imagination, values two things in life: his parents (Stephen Rea and Aisling O’Sullivan, respectively) and his best friend (Alan Boyle). So when the three important figures in his life were taken away due to varying circumstances, his childhood mischief evolved into an emotional disturbance despite the people in town treating him as nicely as they could. I understand that this can be a challenging film especially to people not used to over-the-top quirkiness mixed with surreal elements. I was able to stick with the story by focusing my attention on the psychology of a child who felt abandoned and betrayed. Further, he did not have a healthy way to get rid of his negative emotions. Instead, Francie channeled his energy toward torturing a kid from the neighborhood along with his mother (Fiona Shaw), who responded by asking other guys to physically assault Francie. The town eventually unable to deal with Francie’s indiscretions, he was sent away for extended periods of time. In such institutions, he failed to face his problems because he had no one to talk to and explain why what he did was wrong. The positive feedback of violence and emotional disturbance pushed the kid slowly toward a mental breakdown. Although the events that were happening on screen were wrapped in comedic elements, I thought it was really sad in its core because nobody understood how to deal with the tragic main character in a healthy way. The theme of the picture was abandonment which culminated when Francie returned from boarding school but his best friend was no longer his best friend. The schism in their relationship was especially painful to watch because earlier in the movie we had a chance to see them so close. They even had a pact to become “blood brothers” for the rest of their lives. The fear and disappointment in the children’s eyes (especially Boyles’) were apparent but they wouldn’t express them to each other because they either lacked the right words to say what they really felt or one did not want to hurt the other. All of the strange images and quirkiness aside, I thought the picture had a clear emotional resonance and I empathized with the main character throughout even though I did not necessarily agree with his choices. Based on the novel by Pat McCabe and astutely directed by Neil Jordan, “The Butcher Boy” was essentially about a childhood gone wrong because the child lacked guidance about life’s contradictions and challenges. Watching it was highly rewarding because its humanity was actually highlighted and not dimmed by dark comedy.