The Virginity Hit (2010)
★ / ★★★★
Four desperate friends (Matt Bennett, Zack Pearlman, Jacob Davich, Justin Kline) made it a tradition that they would only smoke weed using a special hookah when each of them lost their virginity. When all three but Matt finally had gone all the way, they decided they would help him out and document every step of the way. But when they found out that Nicole (Nicole Weaver), Matt’s girlfriend, had cheated on him with a frat guy, Matt and his friends had to find other means for Matt to experience his first sex. Written and directed by Huck Botko and Andrew Gurland, “The Virginity Hit” interestingly adopted a faux-documentary style but completely missed the mark. In the end, it felt like a cheap imitation of Greg Mottola’s “Superbad” and Paul Weitz’ “American Pie” but with characters who took idiocy to the next level. The crux of the movie’s so-called dramatic tension could have easily been solved with a teaspoon of intelligence. For instance, when Matt and his friends heard rumors that Nicole had been less than loyal, not one of them bothered to approach Nicole and ask her version of what happened. They immediately decided to take the cruel path. That is, pretend they knew nothing of the rumors, convince Matt to take Nicole on a date for their anniversary, have sex with Nicole for revenge, and broadcast it over the internet. The characters thought it was all fun and games. I was shocked that not one for them stood up against what was happening and express how mean-spirited it all was. There were also some “funny” scenes like the teenagers stealing from a store, breaking into people’s private properties, and other misdemeanors that could potentially land them in court to get sued or, worse, in jail. I tried to see that perhaps it wanted to comment on rampant youth and its relationship with YouTube culture. However, I didn’t feel as if the directors had full control of their material. Its in-your-face approach was its only technique. The filmmakers should have known that the ability to pull back was an essential weapon in order to highlight the positive feedback of certain videos uploaded on YouTube and people taking pleasure in watching other people’s suffering and humiliation. There was not one character to root for here. I wanted to root for Matt because he was the one who was pushed around. There were some scenes that almost portrayed him being forced to have sex just for the sake of losing his virginity. Why did they care anyway? It was none of their business. I thought it was sad and I couldn’t help but feel angry for him. I kept waiting for Matt to stand up to his friends. Even if he wasn’t successful in his attempt, I would have ended up liking him because it meant that he had a voice and he wasn’t afraid to use it. But he didn’t. Some people had their lives ruined by the things portrayed on this film. It was too bad the material failed to take that fact into account.
Peter and Vandy (2009)
★★★ / ★★★★
Written and directed by Jay DiPietro, “Peter and Vandy” (Jason Ritter and Jess Weixler, respectively) told the story of a couple who initially got along great during the beginning of their relationship but as time went on, the little things that bothered them about each other erupted into big fights and it got to the point where they could no longer stand each other. Told in a non-linear manner, since we started in the middle, we immediately get to see the turning point of their relationship and determine what exactly went wrong as the story inched toward how they met and how they broke up. The more I watch Jason Ritter’s films, the more I am convinced that he knows how to pick independent projects with potential–projects with a certain quiet power that movse and makes me think beyond what was presented on screen. I liked the fact that DiPietro had characters who were charming and likeable but flawed. Therefore, it makes it difficult to pick sides regarding who was in the right or wrong. The scene that stood out to me most was the peanut butter and jelly scene. It was emotionally devastating because everyone knows that what they were fighting about was not about how to properly make a peanut butter and jelly sandwich. It was about how suffocated the characters were of each other. It was about the fragility of the front they put up just so that they wouldn’t have to argue especially when they took up the same space 24/7. It was also about how two people are just not right for each other and no amount of effort could change that fact. Although that scene was very confrontational, oddly enough, I found it to be amusing as well. I was impressed with how something so serious could have elements of silliness. Like the highly successful “(500) Days of Summer,” this film relied on two things: the non-linear structure that aims to reveal its many layers and the strong acting. The two leads know how to use their eyes to convey a specific emotion which differs from the words coming out of their mouths. In other words, the movie treated its audiences with respect because it didn’t settle on the obvious. Although definitely not one of the most romantic movies, I think “Peter and Vandy” is a good movie to watch during Valentine’s Day or whatever-month anniversaries because it was painfully honest in its portrayal of modern relationships. Instead of showing us just the good, it shows us the bad as well which sometimes makes our relationships stronger once we overcome the hurdles. With a running time of only eighty minutes, “Peter and Vandy” was effecient with its time and I actually wanted it to last longer because I wanted to know more about the characters.
★★★ / ★★★★
I was surprised by the quality of this little horror film. Directed by Toby Wilkins, “Splinter” is a story about a couple going camping on their anniversary (Paulo Costanzo and Jill Wagner) and are ambushed by an escaped convict (Shea Whigham) and his girlfriend (Rachel Kerbs). Initially enemies, the two couples had to team up right away after running over a creature that feeds off human and animal blood. Not to mention that it can take over its host after it feeds off the host’s blood. I was horrified because of the way the body moved when the creature was controlling its victim’s bodies. It reminded me of the possessed girl in “The Exorcism of Emily Rose” and those rabid zombies in “28 Days Later” and “28 Weeks Later.” Even though this is a small film, it was surprising how much gore it has. It goes to show that a script with smarts and a creative director can go a long way. I was also impressed by the acting. Even though I liked the “good guys” right away because they were cute and funny together, I also found myself feeling for the “bad guys” because of their circumstance. Another thing I liked about this film was that it didn’t even bother to explain where the creature came from. Most creature-feature films fall for the trap of having to elucidate why and how a monster came into existence. I was glad that this one did not. If one is a fan of horror movies where the characters are trapped in one place (in this case, in a gas station), the characters are smart but not above being silly, and there’s a plethora of effective thrills, “Splinter” is definitely the one to see. I couldn’t help but shudder (and maybe even squeal a bit) during some of the most intense scenes.