The Sitter (2011)
★ / ★★★★
Noah (Jonah Hill), a college dropout with nothing much to do except hang out, decided to babysit the three children of his mom’s friend (Erin Daniels) because he figured his mom (Jessica Hecht) could use a fun night out. Who knows? Being a single parent, she might even meet a man who could make her happy. The three youngsters, Slater (Max Records), Blithe (Landry Bender), and Rodrigo (Kevin Hernandez) were, to say the least, a handful of troublemakers. It didn’t help that Noah was far from a responsible adult, accepting to pick up cocaine for his girlfriend (Ari Graynor) in exchange for sex in the middle of his babysitting. Written by Brian Gatewood and Alessandro Tanaka, as “The Sitter” unfolded, the gnawing question of who it was aimed for could no longer be ignored. Even though it contained kids, it certainly wasn’t for children given their mean-spirited natures, especially Rodrigo’s predilection for putting homemade bombs in public restrooms. And yet it wasn’t for adults either. At least not those who preferred their comedy distilled of sentimentality. The screenplay couldn’t help but make Noah into a brother figure for the kids, so unconvincing that in select scenes where the mood was supposed to be serious, like when Noah confronted Slater of the young teen’s homosexuality and self-hatred, though a great topic of conversation in a mainstream lens, I was relatively unmoved because I couldn’t see past the hokum. Since the sensitive moments didn’t feel earned, I was offended that the film so willingly crossed the line. I wish that the writers acknowledged the reality that some people, even babysitters, are just not good with kids. They certainly wouldn’t change their deeply-rooted tendencies overnight. However, the picture did have one very funny scene that took place in a store. Blithe had a bodily accident in the car so Noah had to take her underwear shopping because she had no change of clothes. Observing from a couple of feet away, a Kid City employee (Alysia Joy Powell) had mistakenly believed that Noah was a pedophile and Noah’s nervous explanation about what he was doing in the little girls’ underwear section didn’t help the situation. Hill and Powell mirrored each other’s energy so strongly, their exchange had crackle and pop. I wish other confrontations between Noah and another character were just as effective. In contrast, the scenes between Noah and Karl (Sam Rockwell), a drug dealer, were so lackadaisical and nonsensical. At times it was downright offensive. Karl was supposed to be gay. His sexuality was strictly utilized as a source of comedy. If the drug dealer had been straight, he’d just be another unfunny, incompetent thug. Would it have been too much to ask for the writers to make their villain a little bit more interesting without relying solely on the character’s sexual orientation? To me, mean-spirited gay jokes are just as offensive as gay jokes that insidiously try to pass as progressive thinking. “The Sitter,” directed by David Gordon Green, needed a writing overhaul in order to make room for adventurous and funny moments that have range. There was no sense of adventure here, just a series of poorly executed sketches.
The House of the Devil (2009)
★★★ / ★★★★
Set in the 1980’s, “The House of the Devil” was a horror film about a second year college student named Samantha (Jocelin Donahue) who took up a babysitting job from a husband and wife (Tom Noonan and Mary Woronov) so she could pay the rent for her new apartment. Desperate for the money, she still took the job despite many weird signs that perhaps the people she was babysitting for had something up their sleeves. I was surprised by how good this movie was. Written and directed by Ti West, the film had a sense of authenticity; it looked and felt like it was made in the 1980s because of the music, the fashion and hairstyles and even minute details like the lighting, the lead character’s plucky and funny friend (Greta Gerwig), and the font used during the opening and closing credits. During the first fifteen minutes of the movie, I was very curious how West managed to get such various elements together to make such a convincing small horror film. I loved that this picture had such a great sense of timing and well as rising action. This is not the kind of movie for teenagers of today because it doesn’t have jump-out-of-your-seats moments like in more common slasher flicks. This is a patient movie that thrives on the details. Strangely enough, like Sam, I found myself becoming more and more paranoid the longer she stayed in the house, especially when she started hearing odd noises in the kitchen sink. Although built on the classic false alarms and increasing sense of dread without actually showing anything, I was also impressed with the fact that it could turn grizzly if it wanted to. Those moments pulled the rug from under my feet and I couldn’t help but voice out my thoughts. I really rooted for the character because she was a very nice girl who just really needed the money so she wouldn’t always rely on her parents. She wouldn’t even take a little harmless revenge earlier in the film when someone stood her up. The last twenty minutes of this film was pure terror. All the tension it built up finally burst and I found myself having no idea where it was leading up to. “The House of the Devil” is an effective exercise in giving its audiences small bits information and chilling us to the bone. I think people who have no idea what to expect will love this film the most because of its ability to surprise. With a little bit of patience, one will come to realize that this small picture is really one of the better horror flicks of 2009. I just hope that more people will seek this out on DVD. It’s not very often that horror movies assume that their audiences are smart. I’ve seen a plethora of horror movies from the 1980s and “The House of the Devil” was a really good homage.
Journey to the Center of the Earth (2008)
★★★ / ★★★★
I almost gave this a two stars out of four because there were moments where I thought it diverged too much from the adventure and focused a little bit too much on lame/unnecessary character development. With a family-friendly summer blockbuster film, one expects breath-taking action sequences right after another instead of a forced attempt of sentimentality. Still, I decided to give this film three stars because there were some truly memorable scenes such as the mine ride, the cave of crystals, the T-Rex, and the geyser. Brendan Fraser, like in “The Mummy” films, is really likeable as a scientist whose lab is about to be shut down; Josh Hutcherson continues his role as a kid who’s a little bit sarcastic but often keeps something up his sleeves; Anita Briem is also a neat addition because she provided energy when the story tends to slow down a bit. I did not see this in 3-D even though the entire picture is designed to be seen in such a format so I can’t comment on how much or if it’s better than on a flat screen. Still, there’s plenty of visual eye candy and adrenaline for those who just want to sit back and not think too much. But I must admit that I really like the science in the film: how Fraser’s character used kinematics to determine how high they are from the ground as they free fall, the application of Geology when it comes to recognizing certain rocks and their properties, the concept of bioluminescence (the production and emission of light when chemical energy is converted to light energy), and more. It made the movie that much more fun for me because I’ve taken classes that deal with those concepts. (I am a certified nerd/geek/dork.) This is the kind of movie that a babysitter can let kids watch because it’s pretty harmless, there’s a plethora of bright colors, and pretty funny one-liners. It could’ve been a lot better but it could’ve been a lot worse.